Sumptuous, stunning, and heart-stirring.
This companion to Seeger’s Caldecott Honor book Green (2012) explores a fresh color’s visual and metaphorical permutations.
Seeger unfolds the entwined lives of a white boy and a golden Lab, from baby- and puppy-hood through a series of poignant transitions. Cleverly placed die cuts and rhymed, two-word phrases (set in ever crisp Helvetica Neue bold) anchor each double-page spread. To her many-hued blues, some thick with impasto, Seeger adds yellow, sienna, crimson, and green in scenes that transit fluidly among interiors and natural tableaux exploring the sea, a stormy night, a sun-dappled park, and more. At “baby blue,” puppy and toddler sleep among blue toys, sharing a small square of blue cloth—a future neckerchief they’ll trade throughout. For “berry blue,” boy pulls dog and a berry basket in a red wagon. The phrase “maybe blue” perches on a blob of yellow in the child’s vivid self-portrait with pet. (The dog traverses the picture, tracking yellow paint across the deep-blue ground, its die-cut paw prints mixing to make green.) At “very blue” the pair cavorts among blue butterflies, which fill the foreground in huge, delightful proximity. Later scenes depict the Lab’s inevitable aging, with the boy sitting (“so blue”) on a dock at sunset, his body bent in grief. Last, another transition: meeting a brown-skinned girl and her young sheepdog, the blue scrap now tucked in the teen’s back pocket.
Sumptuous, stunning, and heart-stirring. (Picture book. 3-7)Pub Date: Sept. 25, 2018
ISBN: 978-1-62672-066-4
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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