Witty, painful, and thoroughly unsettling.
Identity, like reality, is a slippery thing for the women in van den Berg’s latest collection of short stories, all of whom are grasping at a sense of stability that seems forever out of reach.
All 11 stories here are sharp as they are haunting; in this world—maybe like the real one—nothing is exactly what it seems. In “Cult of Mary,” which is as short as it is devastating, a daughter takes her aging mother on a quietly gut-wrenching group tour of Italy. Against the backdrop of an earthquake-ravaged Mexico City, “Karolina” a divorcing art restorer, runs into her brother’s now-destitute ex-wife and is forced to confront truths about her brother she has managed until now to willfully ignore. In “Lizards,” a husband plies his unhappy wife with cans of special sparkling water, off-brand LaCroix but with sedative properties, for when she “simply becomes too much.” And doesn’t she also, in a way, appreciate the dulling of her own mind? “The truth is that she is angriest at her own anger,” van den Berg explains, “which she suspects has arrived far too late to be of any real use.” Other stories have a darkly surreal edge, like sweaty, hyper-realistic nightmares; someone has always disappeared or is in the process of disappearing: A husband vanishes into a tree; a woman is casually kidnapped by her new friend. In the title story, a woman named Margot semiaccidentally begins impersonating her missing sister at an Italian academic conference. They are raw and searching, the women at the centers of these stories. She didn’t want her sister’s life, Margot thinks. “All she wants is to feel like she isn’t being destroyed by the world.” The stories here, vibrating with loss, but wickedly funny, are a distinctly van den Berg–ian hybrid, as biting as they are dreamy.
Witty, painful, and thoroughly unsettling.Pub Date: July 28, 2020
ISBN: 978-0-374-10209-8
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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