If speculative autofiction wasn’t a thing, it is now; van den Berg is a pioneer.
A woman returns to the Florida of her childhood and is destabilized by the collision of her present and her past.
“How did we end up here, shipwrecked at my mother’s house?” This is the question the narrator of van den Berg’s new novel asks herself. On a literal level, the narrator and her husband—a historian working on a book about medieval pilgrimages—has moved back in with her mother in northern Florida to care for her dying father and then stayed on as the pandemic struck. (To complicate the dynamics, the narrator’s sister and her small family live right next door.) But this shipwrecking is as much emotional as geographical. Living in Florida means being surrounded by ghosts—the ghost of the narrator’s dead father, her niece’s “pet ghost,” her own job as a ghostwriter for a famous thriller author, and, most of all, “all [her] former selves for company.” These haunts eradicate the boundaries the narrator has put up between her current life and her younger years, some of which were spent institutionalized after a suicide attempt. Surrounding everything is the “equal parts danger and magic” of Florida, both agonizingly real—its politics, its weather, its wildlife—and speculative, as people in the narrator’s area begin to go missing and the rest of the population is transfixed by a sophisticated virtual reality technology called MIND’S EYE. Readers who aren’t sure how a science fiction plot will meld with writing that sometimes reads almost like memoir needn’t worry. This is van den Berg, whose Lynchian sensibility and cool yet impassioned eye are somehow the perfect choice to examine what might be America’s most eccentric state and the ways that “we are called back to the things we most want to flee.”
If speculative autofiction wasn’t a thing, it is now; van den Berg is a pioneer.Pub Date: July 9, 2024
ISBN: 9780374612207
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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