Verily, fine fare.
To avoid running into her ex-boyfriend, a teenage girl leaves town to work the summer at a Renaissance fair.
All of Rowena Duncan’s summer plans went kaput when she discovered her boyfriend was two-timing her. Hanging with her friends at the beach and working at the local tiki-themed restaurant was no longer an option—those are places she would assuredly see him. Landing a job she finds online, she winds up as a face painter at a Renaissance fair, far from civilization and reliable cellphone reception. Her deep desire is to pursue art, so she’s thrilled to be painting—even if it’s only on the cherubic faces of young fairgoers—but what’s more, the place is rich with artists and performers. Her high-powered parents, however, want her to follow in their white-collar footsteps and only view the job as a topic for a standout college essay. Rowena settles into the fair life quickly thanks to Will, a witty, whip-cracking magician who shows her the ropes and is sweetly and perpetually attentive. But it’s the heart-stopping, black-haired, blue-eyed knight Christian who keeps Rowena’s adrenaline pumping—and soon she finds herself wrestling with Cupid all over again. Sharp, funny dialogue is mixed with thoughtful resolutions of relevant teenage topics—love and lust, admitting fault, the mettle it takes to pursue a passion. The rich backdrop of the fair, with its vivid description and appealing characters, is icing on the cake.
Verily, fine fare. (Fiction. 12 & up)Pub Date: June 3, 2014
ISBN: 978-1-4424-8933-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: April 15, 2014
Kirkus Reviews Issue: May 1, 2014
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
