A (home)coming out story that rides a deep undercurrent of love.
Corazon “Cory” Tagubio is a Southern Californian FilAm caught between her duty toward her hardworking immigrant parents and her sexual awakening.
When her mother catches 17-year-old Cory kissing Ms. Holden, her 25-year-old White Catholic school history teacher, she sends Cory to the Philippines to live with Kuya Jun, an older half brother whom she has only met through Skype. Cory arrives in the Philippines heartbroken twice over: Her beloved father is in a coma, and, separated from Ms. Holden, Cory feels untethered and deeply alone. In her YA debut, Fantauzzo’s gorgeous writing presents an emotionally wrought American-born teenager on a journey to define her present as well as understand her family’s past. The unethical relationship with Ms. Holden is effectively used as a device for Cory’s journey of self-inquiry and growing understanding of real love, bolstered by her cousin’s and friends’ more developed ethical and political consciousnesses. One of a cast of splendidly drawn characters, Cory faces hidden truths about familial separation and lasting bonds that provide a layered backdrop for her own catharsis. In tight sentences, Fantauzzo packs a punch, describing Cory’s fraught emotional tightrope as she negotiates Catholic dogma of right and wrong, repression, and rage in ways that will surely resonate with anyone who simply cannot live any longer without questioning norms. Tagalog and Taglish are interlaced throughout, adding an atmospheric texture that refreshingly lends rarely depicted insights into authentic Filipino humor, conflict, and expressions of love.
A (home)coming out story that rides a deep undercurrent of love. (Fiction. 14-18)Pub Date: Oct. 20, 2020
ISBN: 978-0-06-297228-6
Page Count: 320
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Aug. 11, 2020
Kirkus Reviews Issue: Sept. 1, 2020
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
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