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EENY, MEENY, MINEY, MO, AND FLO!

Brisk and bouncy, this clever adaptation combines animals, action, humor, and typical sibling dynamics to create a lively...

A familiar rhyme is the starting point for this tale of four bossy brothers and their tag-along little sister.

The pursuit begins immediately as the eponymous mice race across a swath of green grass on the dedication page. The boys begin the rhyme with the traditional tiger. Flo, a smaller, all-white mouse wearing a pink scarf, makes her first appearance here, standing nonchalantly on the tiger’s paw. Her desire to participate is quashed by her brothers in a parallel text that’s made up entirely of dialogue. She continues to try to join the fun as the boys chase down additional animals, including a female hippo and turtle, a somewhat scary boa constrictor (with no toes), and a very toothy alligator. Molk’s illustrations, created in pen and ink and watercolor then digitally combined, keep the focus on the mice with only parts of most of the larger animals shown. Bright colors and energetic lines contrast pleasingly with watercolor washes that provide texture and interest. Simple, slightly cartoony features keep the mood light despite the preponderance of predators—and the slight frisson of danger in a couple of instances. Using a different, handwritten-style type for the dialogue keeps things clear, though read-alouds could still be a bit tricky.

Brisk and bouncy, this clever adaptation combines animals, action, humor, and typical sibling dynamics to create a lively and engaging escapade. (Picture book. 3-6)

Pub Date: June 9, 2015

ISBN: 978-0-670-01538-2

Page Count: 32

Publisher: Viking

Review Posted Online: March 16, 2015

Kirkus Reviews Issue: April 1, 2015

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THE PIGEON HAS TO GO TO SCHOOL!

From the Pigeon series

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.

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All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.

Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)

Pub Date: July 2, 2019

ISBN: 978-1-368-04645-9

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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