Grown-ups be warned: Young fingers will delight in pressing the tractor’s buttons (and yours!) over and over.
Little ones can explore a day in the life of a rubber-covered, audio-enabled tractor.
The “5 noisy parts!” promised on the cover are powered by a battery embedded in the back of the book, the compartment securely screwed shut. Youngsters are prompted by the text to press various parts of the tractor to make interesting sound effects, such as an engine starting then chugging, a horn, and tire noise on muddy or rocky terrain. A large, tractor-shaped die-cut hole in every page allows children to access the vehicle on every double-page spread but leaves the left-hand pages dominated by that tractor-shaped hole. Farm animals make their signature sounds via speech bubble (horses, chicks, and cows, to name a few) along with other critters offering suggestions about which buttons on the tractor to press. For additional play value, a ladybug and a caterpillar can be spotted on every double-page spread. Labels for most of the animals appear in a clear font along with other farm-centric vocabulary words: pitchfork, seedlings, trough. Elliott’s art is busy, but the simple, eye-catching patterns and graphically clean lines in bright colors will appeal to the audience. While this offering is perfect for toddlers, the extensive warnings in the fine print on the back of the book about what may happen if the button battery is swallowed should scare adults into being vigilant. Thankfully, there is an on/off switch allowing for toggling between a quiet and noisy reading experience.
Grown-ups be warned: Young fingers will delight in pressing the tractor’s buttons (and yours!) over and over. (Novelty board book. 2-4)Pub Date: Jan. 12, 2021
ISBN: 978-1-68010-669-5
Page Count: 12
Publisher: Tiger Tales
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Both a sweet lap-read and a gentle exhortation that caregivers interact with their children.
Marr and White produce a toddler sequel to Bunny Roo, I Love You (2015).
“One day you woke… / and hopped out of bed. I thought you’d become a frog, / so I brought you to the pond,” the doting narrator begins. But after touching the water, the child behaves like a duckling. And when the narrator joins the child in the water, the child clings like a monkey to the adult’s back. This pattern continues as the adult and child go through their day interacting, the child becoming a snake and a cheetah before morphing into “my bunny roo.” The rabbit eats some salad before a snuggle finally reveals the human child they have been all along, a barefoot tot in green one-piece pajamas with light skin and hair a shade lighter than their mother’s red. “You are my everything, as fun as all the animals in the world.” Pale, creamy backgrounds and sparse details keep the focus on the parent-child relationship, which is very sweet and tender, especially in the closing vignette of mother holding a snuggly child. The mother, whether animal or human, has prominent eyelashes that her child lacks. (This book was reviewed digitally with 10-by-19-inch double-page spreads viewed at 29.7% of actual size.)
Both a sweet lap-read and a gentle exhortation that caregivers interact with their children. (Picture book. 2-4)Pub Date: Jan. 19, 2021
ISBN: 978-0-525-51604-0
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Truck lovers of any gender will find this title a treat, but the hyperfeminine companion is sadly restrictive.
Richly textured board pages and a limited color palette distinguish this tribute to trucks.
The gray buckram cover is a delight to hold, while bright red endpapers promise excitement within. Beautifully designed using shades of red, black, white, and brown on matte pages, the whole package has a retro, letterpress feel. The first truck is a firetruck big enough for a brown-skinned child to straddle. Later pages feature construction vehicles, a flatbed trailer, and an ice cream truck. The slight text has a lyrical quality, though the occasional rhymes seem accidental. Relatively abstract concepts are casually introduced, “Love is a kid who lines them all up. Biggest to smallest, color by color.” On the final page the brown-skinned child is kissed goodnight while clutching a truck under a road-patterned blanket. The main character wears plaid bib overalls and has longish curly hair. Another child, also brown-skinned, with close-cropped hair, plays with the construction trucks, shares a treat from the ice cream truck, and offers a goodnight kiss. Unfortunately, a less gender-neutral companion volume, Love Is a Tutu, clearly aims for the ballerina market with an excess of pink. Together the two books assure little girls they can love both tutus and trucks. Unfortunately, they send a mixed message to little boys.
Truck lovers of any gender will find this title a treat, but the hyperfeminine companion is sadly restrictive. (Board book. 2-4)Pub Date: Nov. 15, 2016
ISBN: 978-1-937359-86-7
Page Count: 24
Publisher: Cameron + Company
Review Posted Online: Nov. 1, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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