A tender, heartfelt story.
A 20-something’s memoir about the English mastiff that became her “best friend [and] so much more.”
Watt was a college sophomore when her mother took her to shop for a dog. Though “we promised ourselves we were just going to look,” by the time they drove home, they had bought an English mastiff puppy the author named Gizelle. She knew that the dog was intended to partially make up for her mother’s alcoholism, but she could not stop herself from falling in love with Gizelle, nor could she stop hoping that the dog was a sign that her “best friend” of a mother would finally get sober. Watt eventually took the dog to live with her while she attended the University of Tennessee, where Gizelle became her 160-pound running partner and protector. At 23, the desire to live in a place that was more “energetic, gritty [and] cosmopolitan” took Watt from Knoxville to Manhattan. After securing a small apartment, she took in Gizelle, whose size earned her names like “Cujo” and “Godzilla.” Watt then began working her way up from waitress to public relations assistant and found companionship with a good but dull man who never offered the same emotional satisfaction as Gizelle. As she watched her mother slip away from her and deeper into addiction, Watt discovered that her dog had bone cancer. Determined to make the remaining days of her canine best friend’s life count, she created a “bucket list” of all the things she wanted to experience with her dog before she died—e.g., riding in a boat together or “watch[ing] the snow fall on the beach.” As much a story about growing up as about letting go of things that cannot be changed, Watt’s book is also a reminder of the profound healing connection that can exist between humans and the pets they love.
A tender, heartfelt story.Pub Date: March 7, 2017
ISBN: 978-1-5011-2365-8
Page Count: 240
Publisher: Simon & Schuster
Review Posted Online: Dec. 26, 2016
Kirkus Reviews Issue: Jan. 15, 2017
The acclaimed author of My Own Country (1996) turns his gaze inward to a pair of crises that hit even closer to home than the AIDS epidemic of which he wrote previously. Verghese took a teaching position at Texas Tech’s medical school, and it’s his arrival in the unfamiliar city of El Paso that triggers the events of his second book (parts of which appeared in the New Yorker). His marriage, already on the rocks in My Own Country, has collapsed utterly and the couple agree to a separation. In a new job in a new city, he finds himself more alone than he has ever been. But he becomes acquainted with a charming fourth-year student on his rotation, David, a former professional tennis player from Australia. Verghese, an ardent amateur himself, begins to play regularly with David and the two become close friends, indeed deeply dependent on each other. Gradually, the younger man begins to confide in his teacher and friend. David has a secret, known to most of the other students and staff at the teaching hospital but not to the recently arrived Verghese; he is a recovering drug addict whose presence at Tech is only possible if he maintains a rigorous schedule of AA meetings and urine tests. When David relapses and his life begins to spiral out of control, Verghese finds himself drawn into the young man’s troubles. As in his previous book, Verghese distinguishes himself by virtue not only of tremendous writing skill—he has a talented diagnostician’s observant eye and a gift for description—but also by his great humanity and humility. Verghese manages to recount the story of the failure of his marriage without recriminations and with a remarkable evenhandedness. Likewise, he tells David’s story honestly and movingly. Although it runs down a little in the last 50 pages or so, this is a compulsively readable and painful book, a work of compassion and intelligence.
Pub Date: Sept. 1, 1998
ISBN: 0-06-017405-6
Page Count: 400
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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