A novel look at strange (and stranger) things.
“The future’s open wide” according to “I Melt With You,” the song by Modern English that lends other lyrics to the title of this time-looping fiction debut. Maybe they meant the past, too?
Justin Warren, a disaffected student waiting for high school to end, finds himself enmeshed in hard-to-explain (and understand) circumstances in this mystery saga of time travel, adolescent heartache, and coming-of-age angst. Finding himself transported after an accident from 2023 to the year 1985, Justin is confronted with perplexing details about his complicated family history. Among the pre-millennial teens Justin meets is Rose Yin, a do-gooder and diligent student who becomes one of his few allies in unraveling the mysteries of not only his time travel, but also a 1985 crime that affected the course of his family’s life. (Rounding out the cast of characters for both settings are enough teens, teachers, and family members of varying backgrounds, sexual orientations, and personality types to populate whatever screen adaptation of the work results from the book’s selection by Mindy Kaling for her Mindy’s Book Studio publishing and production project.) Realizing he may have a last-minute opportunity to alter his family’s tragic history, Justin puzzles through the facts as he recalls them and the truths he uncovers in his new (old) hometown. While dealing with her own teenage miseries and insecurities, Rose lends a sympathetic ear and transportation to the out-of-sync Justin—who bemoans the lack of crime-solving technology available to him in 1985 and struggles to use a rotary phone in one hilarious episode. Thoman’s ambitious timeline of events is both expansive and compressed, with the storyline unfolding over the course of both one week and 38 years, and her portrayal of teenagers in varying degrees of crisis is sympathetic.
A novel look at strange (and stranger) things.Pub Date: April 1, 2023
ISBN: 9781662509971
Page Count: 446
Publisher: Mindy's Book Studio
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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