There’s an honorable, unsung tradition of African-American novelists using the counterspy genre as a metaphor for what...
The bitter education of an African-American intelligence agent is framed against the background of a real-life coup d’état three decades ago in Burkina Faso.
It’s 1987, and Marie Mitchell has hit the wall as an FBI agent. She’s patronized and marginalized by her boss, who relegates her to little more than recruiting informants (or “snitches,” as she derisively calls them) and filing “oppressive amounts of paperwork.” This is not how this idealistic (but hardly naïve) daughter of an NYPD officer hoped her life would turn out back when she and her sister, Helene, dreamed of becoming secret agents when they grew up. At this low point of her professional life, Marie is recruited by Ed Ross, a smooth-talking CIA official, to take part in a covert operation to undermine the regime of Burkina Faso’s magnetic young president, Thomas Sankara, a Marxist influenced by the example of the martyred revolutionary Che Guevara. From the beginning of her assignment, Marie is both wary of the agency’s reasons for taking down Sankara and skeptical toward Sankara’s leftist politics, though the closer she gets to Sankara, the less inclined she is to dismiss his efforts to improve his nation’s welfare. Nevertheless, Marie has another, more personal motive for accepting the assignment: the agent-in-charge, Daniel Slater, was both a colleague and lover of her sister, who fulfilled her ambition to become a spy but died in a car accident whose circumstances remain a mystery to Marie and her family. The more embedded Marie gets in her assignment, the less certain she is of what that assignment entails and of who, or what, she’s really working for. Falling in love with her target—Sankara, who in real life was violently overthrown that same year—is yet another complication that further loosens Marie’s professional resolve. There are many tangled strands to unravel here for Marie, the reader, and first-time novelist Wilkinson, who nonetheless navigates the psychic and physical terrain of this tale of divided loyalties with the poise of such classic masters as Eric Ambler and Graham Greene spiked with late-20th-century black American intellectual history.
There’s an honorable, unsung tradition of African-American novelists using the counterspy genre as a metaphor for what W.E.B. Du Bois called "double consciousness," and Wilkinson’s book is a noteworthy contribution.Pub Date: Feb. 12, 2019
ISBN: 978-0-8129-9895-5
Page Count: 304
Publisher: Random House
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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