The simple plot uses perfectly believable characterizations to discuss deceptively complex emotions and issues for those who...
A story taken from real life provides the foundation for a tale of healing through human interconnection.
Ursula is a ten-year-old girl with a big imagination and a love for her small Montana town, finding enough happy magic at home by leading her pirate crew in fanciful adventures in between helping her Pa at his stagecoach station. But when she survives a smallpox scare only to be left with a pitted face, vanity replaces her ebullient spirit and she won’t leave her room. Pa hires Ah Sam, a Chinese cook, to help feed the passengers when the stages arrive. Her “curiosity bump” is larger than her prejudice against him, and the two soon find they share a common loneliness as well as a common love of the circus. She begins once again to help in the kitchen, although she still won’t show her face outdoors. She faces a turning point, however, when a mean-spirited stage passenger harasses Ah Sam, who cannot retaliate because of state law. Ursula decides she must cheer up the now ashamed cook, realizing that they all share what Indian Tom calls “the mark” of outsiders. One kindness leads to another as Ah Sam’s circus relatives arrive to entertain the town with their special magic while Ursula is enlisted to back them up with music. Yep (Newbery Honor, Dragon’s Gate, 1994), has applied his considerable skills to embellish a true story into a moving parable of how people help each other overcome suffering.
The simple plot uses perfectly believable characterizations to discuss deceptively complex emotions and issues for those who would mine its lessons, but Ursula’s own story of healing is rewarding enough for those who read from the younger child’s point of view. (Fiction. 8-10)Pub Date: Dec. 1, 2001
ISBN: 0-06-029325-X
Page Count: 128
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2001
BOOK REVIEW
BOOK REVIEW
Move over Ramona Quimby, Portland has another neighbor you have to meet!
Ryan Hart is navigating the fourth grade and all its challenges with determination.
Her mom named her Ryan because it means “king,” and she wanted Ryan to feel powerful every time she heard her name; Ryan knows it means she is a leader. So when changes occur or disaster strikes, budding chef Ryan does her best to find the positive and “make sunshine.” When her dad is laid off from the post office, the family must make adjustments that include moving into a smaller house, selling their car, and changing how they shop for groceries. But Ryan gets to stay at Vernon Elementary, and her mom still finds a way to get her the ingredients she needs to practice new recipes. Her older brother, Ray, can be bossy, but he finds little ways to support her, especially when she is down—as does the whole family. Each episodic chapter confronts Ryan with a situation; intermittently funny, frustrating, and touching, they should be familiar and accessible to readers, as when Ryan fumbles her Easter speech despite careful practice. Ryan, her family, and friends are Black, and Watson continues to bring visibility to both Portland, Oregon, generally and its Black community specifically, making another wonderful contribution that allows Black readers to see themselves and all readers to find a character they can love.
Move over Ramona Quimby, Portland has another neighbor you have to meet! (Fiction. 8-10)Pub Date: April 28, 2020
ISBN: 978-1-5476-0056-4
Page Count: 192
Publisher: Bloomsbury
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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