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ANOTHER MARVELOUS THING

Crystalline (and enjoyable for it) but ultimately inexpressive work by one of the most intriguing American fiction...

Francis Clemens—Frank—is having an affair with Josephine Felielle—Billy. Both of them are married to other people.

They're both involved with economics professionally, they live in New York, they are attached to their spouses by both conviction and honor, and these spouses are often away. So much for similarities. Otherwise, Frank is a sensualist about clothes and food, Billy a slob whose shoes are taped together and who has nothing in her refrigerator. She's laconic and unsentimental; he's the more unbuttoned of the two. They are, in fact, a sort of Odd Couple—wherein is found a good deal of the charm in these five connected if not quite connecting stories by the ever-interesting Colwin (Happy All The Time, Family Happiness). Until Billy calls a conscience-driven halt to the liaison, they both are happy ("as happy as it is possible to be under those circumstances, which bring the kind of happiness that is devoid of any contentment"). Yet, as Colwin's shading warns early on (and readers may notice that Frank is always the narrator of the morally dubious stories, Billy of the post-sin ones: a sort of stacking of the deck): "It is one of the sobering realizations of adult life that love is often not a propellant...It often seems that the function of romance is to give people something romantic to think about." The stories mean to be anti-romantic, in fact; there's far more snacking that goes on than lovemaking; and at one point, Billy's reactions to her own adultery are balanced-out at "sorrow, guilt, glee, humor, anticipation." The problem is that you don't believe an awful lot of it. Francis comes off as too unconscious, almost brutally level, plumb-lined; while Billy seems to be less a lover than a treader of water, going through the motions of infatuation until she can make for the open sea and have the secure-marriage-with-baby that she's destined for (and does get, post-Frank). Partially this is the overlap's fault—the segments don't seem quite well-aligned enough—but there's also a touch of smugness here that seeps out at the edges of cool delight to Colwin's always truly impressive comic-prose style. Frank seems a strawman set up to then be knocked down; and both Frank and Billy seem to be going through what's finally only a self-restricting acrobatic trick, one of some difficulty but without the sweat. Family Happiness showed Colwin able to approach a Russian-like miscellany of a-directional feeling—and while no one would expect her to duplicate Anna Karenina, it is somewhat surprising to find so little dirt under her authorial nails when dealing with a subject this compromised and unstable.

Crystalline (and enjoyable for it) but ultimately inexpressive work by one of the most intriguing American fiction writers—here coasting.

Pub Date: March 31, 1986

ISBN: 0-06-095894-4

Page Count: -

Publisher: Knopf

Review Posted Online: April 30, 2021

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TWICE

Have tissues ready as you read this. A small package will do.

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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