by Laurie Colwin ‧ RELEASE DATE: March 31, 1986
Crystalline (and enjoyable for it) but ultimately inexpressive work by one of the most intriguing American fiction...
Francis Clemens—Frank—is having an affair with Josephine Felielle—Billy. Both of them are married to other people.
They're both involved with economics professionally, they live in New York, they are attached to their spouses by both conviction and honor, and these spouses are often away. So much for similarities. Otherwise, Frank is a sensualist about clothes and food, Billy a slob whose shoes are taped together and who has nothing in her refrigerator. She's laconic and unsentimental; he's the more unbuttoned of the two. They are, in fact, a sort of Odd Couple—wherein is found a good deal of the charm in these five connected if not quite connecting stories by the ever-interesting Colwin (Happy All The Time, Family Happiness). Until Billy calls a conscience-driven halt to the liaison, they both are happy ("as happy as it is possible to be under those circumstances, which bring the kind of happiness that is devoid of any contentment"). Yet, as Colwin's shading warns early on (and readers may notice that Frank is always the narrator of the morally dubious stories, Billy of the post-sin ones: a sort of stacking of the deck): "It is one of the sobering realizations of adult life that love is often not a propellant...It often seems that the function of romance is to give people something romantic to think about." The stories mean to be anti-romantic, in fact; there's far more snacking that goes on than lovemaking; and at one point, Billy's reactions to her own adultery are balanced-out at "sorrow, guilt, glee, humor, anticipation." The problem is that you don't believe an awful lot of it. Francis comes off as too unconscious, almost brutally level, plumb-lined; while Billy seems to be less a lover than a treader of water, going through the motions of infatuation until she can make for the open sea and have the secure-marriage-with-baby that she's destined for (and does get, post-Frank). Partially this is the overlap's fault—the segments don't seem quite well-aligned enough—but there's also a touch of smugness here that seeps out at the edges of cool delight to Colwin's always truly impressive comic-prose style. Frank seems a strawman set up to then be knocked down; and both Frank and Billy seem to be going through what's finally only a self-restricting acrobatic trick, one of some difficulty but without the sweat. Family Happiness showed Colwin able to approach a Russian-like miscellany of a-directional feeling—and while no one would expect her to duplicate Anna Karenina, it is somewhat surprising to find so little dirt under her authorial nails when dealing with a subject this compromised and unstable.
Crystalline (and enjoyable for it) but ultimately inexpressive work by one of the most intriguing American fiction writers—here coasting.Pub Date: March 31, 1986
ISBN: 0-06-095894-4
Page Count: -
Publisher: Knopf
Review Posted Online: April 30, 2021
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BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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New York Times Bestseller
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
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