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ANOTHER MARVELOUS THING

Crystalline (and enjoyable for it) but ultimately inexpressive work by one of the most intriguing American fiction...

Francis Clemens—Frank—is having an affair with Josephine Felielle—Billy. Both of them are married to other people.

They're both involved with economics professionally, they live in New York, they are attached to their spouses by both conviction and honor, and these spouses are often away. So much for similarities. Otherwise, Frank is a sensualist about clothes and food, Billy a slob whose shoes are taped together and who has nothing in her refrigerator. She's laconic and unsentimental; he's the more unbuttoned of the two. They are, in fact, a sort of Odd Couple—wherein is found a good deal of the charm in these five connected if not quite connecting stories by the ever-interesting Colwin (Happy All The Time, Family Happiness). Until Billy calls a conscience-driven halt to the liaison, they both are happy ("as happy as it is possible to be under those circumstances, which bring the kind of happiness that is devoid of any contentment"). Yet, as Colwin's shading warns early on (and readers may notice that Frank is always the narrator of the morally dubious stories, Billy of the post-sin ones: a sort of stacking of the deck): "It is one of the sobering realizations of adult life that love is often not a propellant...It often seems that the function of romance is to give people something romantic to think about." The stories mean to be anti-romantic, in fact; there's far more snacking that goes on than lovemaking; and at one point, Billy's reactions to her own adultery are balanced-out at "sorrow, guilt, glee, humor, anticipation." The problem is that you don't believe an awful lot of it. Francis comes off as too unconscious, almost brutally level, plumb-lined; while Billy seems to be less a lover than a treader of water, going through the motions of infatuation until she can make for the open sea and have the secure-marriage-with-baby that she's destined for (and does get, post-Frank). Partially this is the overlap's fault—the segments don't seem quite well-aligned enough—but there's also a touch of smugness here that seeps out at the edges of cool delight to Colwin's always truly impressive comic-prose style. Frank seems a strawman set up to then be knocked down; and both Frank and Billy seem to be going through what's finally only a self-restricting acrobatic trick, one of some difficulty but without the sweat. Family Happiness showed Colwin able to approach a Russian-like miscellany of a-directional feeling—and while no one would expect her to duplicate Anna Karenina, it is somewhat surprising to find so little dirt under her authorial nails when dealing with a subject this compromised and unstable.

Crystalline (and enjoyable for it) but ultimately inexpressive work by one of the most intriguing American fiction writers—here coasting.

Pub Date: March 31, 1986

ISBN: 0-06-095894-4

Page Count: -

Publisher: Knopf

Review Posted Online: April 30, 2021

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THE BIG DOOR PRIZE

An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.

When a photo booth–type machine in the grocery store starts spitting out predictions of people’s true callings, the residents of Deerfield, Louisiana, are deeply affected.

“In the way that aspiring novelists might like to imagine their work someday being discussed in a sophomore literature class…or the way philosophers like to chart the evolution of thought from Socrates to Plato to Jay-Z…Douglas also liked to imagine himself one day becoming part of some traceable lineage.” Douglas Hubbard, a happily married high school history teacher, has a fantasy of becoming a famous jazz trombone player. He’s even signed up for lessons. Unlike the other dreamers in his little town, he came up with this idea all by himself, on his 40th birthday. His wife and many of his neighbors, on the other hand, are carrying around little blue slips of paper produced by a machine called the DNAMIX. They say things like ROYALTY, CARPENTER, LOVER, and MAGICIAN, and because of them the school principal, the mayor, and many others in Deerfield are quitting their jobs, buying costumes, and planning major life changes. There’s something a little strange about Walsh’s follow-up to his remarkable first novel, My Sunshine Away (2015). On one hand, it has a warm, folksy, Fannie Flagg–type feeling, complete with John Prine references galore (the title is one) and a goofy touch of magic. On the other hand, like the author’s debut, it addresses very serious and disturbing issues. It opens with the death of a teenager, as experienced by his twin, and later adds intimations of a school shooting, a gang rape, and a terrible revenge plot. Both aspects are well handled, but do they really go together? When you get a bereaved dad dressed up in a ludicrous cowboy outfit intervening to rescue his son from being gunned down by the police you have to wonder.

An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.

Pub Date: Sept. 8, 2020

ISBN: 978-0-7352-1848-2

Page Count: 384

Publisher: Putnam

Review Posted Online: April 12, 2020

Kirkus Reviews Issue: May 1, 2020

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THE VOYAGE OF THE MORNING LIGHT

Endicott’s latest novel is a quiet, elegant triumph with no easy answers.

Two sisters sail around the world.

It’s 1911, and after her much older half sister marries a ship’s captain, teenage Kay joins them onboard the Morning Light for a trip around the world. Their strict father has recently died, and as they travel, the sisters find themselves still haunted by his legacy: He’d run a school for Native American children in remote Canada, where scores of students apparently died from tuberculosis. Now Kay suffers from nightmares so severe she wakes up screaming. But as the trip continues, both Kay and her sister, Thea, begin to have a look around them. Kay begins studying ancient Greek with a goofy English pastor who’s joined them. Things change when Thea, who longs for a child, adopts a young boy from a poor Micronesian island. Kay is troubled by the adoption, though she can’t immediately articulate why. Endicott depicts her characters with great delicacy and sympathy. Kay, especially, is a wonder to behold: She’s barely a teenager when the novel begins, and to witness her first encounters with the world, as she quietly unravels her own feelings and beliefs about what she sees, is simply marvelous. The novel’s second half shifts in time and mood in a way that feels both surprising and exactly right. There is so much in this book to linger over, from Kay and Thea’s relationship with each other to the strength and autonomy of Kay’s mind to Endicott’s lyrical descriptions of the sea and the ship. It’s a novel to return to again and again.

Endicott’s latest novel is a quiet, elegant triumph with no easy answers.

Pub Date: June 2, 2020

ISBN: 978-1-324-00706-7

Page Count: 400

Publisher: Norton

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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