A sharp, pitch-black thriller that takes the mean-girls trope to another level.
A woman’s dark past resurfaces at her 10-year college reunion in Flynn’s adult debut.
Thirty-one-year-old Ambrosia Wellington’s job as a PR flack for a Manhattan firm isn’t the acting career she had aspired to when she started her freshman year at Wesleyan University. But she’s married to genuine nice guy Adrian, who adores her. When her comfortable, if not quite perfect, life is disrupted with emails from Wesleyan’s alumni committee announcing the upcoming reunion, she ignores them, but then she gets an anonymous message that changes everything: “You need to come. We need to talk about what we did that night.”Nearly 14 years ago, Amb couldn’t wait to leave her working-class New Jersey roots behind when she arrived at Wesleyan. Her roommate, Flora, was exactly the type of “freshly scrubbed,” saccharine-sweet “try-hard” that she despised, so when she met the magnetic and deviously cruel Sloane Sullivan, Amb finally felt like she belonged, but Sully’s price of admission was steep. Riding a wave of booze, cocaine, and ceaseless casual, drunken hookups was damaging enough, but it’s her relentless pursuit of Flora’s Dartmouth boyfriend that leads to catastrophe. Now, at the reunion, Amb must face her past and put it to rest, all while preventing Adrian from finding out about that terrible year. Sully has also received threatening messages, and Amb is wary of trusting her, but the devil she knows might be her only choice. One thing is clear: A reckoning is inevitable, and it won’t be pretty. Watching the deeply insecure Ambrosia morph into the toxic Sully’s broken acolyte is like paying witness to a slow-motion train wreck. It’s hard to sympathize with Amb, but her self-aware narration, which alternates between past and present, illustrates how a vulnerable psyche can be twisted into something exceedingly ugly. The ever rising tide of dread will keep readers hooked even when they realize that a happy ending may not be in the cards.
A sharp, pitch-black thriller that takes the mean-girls trope to another level.Pub Date: March 9, 2021
ISBN: 978-1-982144-62-3
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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