Not the strongest of the series.
Jen Dixon is now a caregiving grandma, a classroom parent, a PTA fundraiser, and a spin instructor—Stay in the saddle, riders!
We met the irresistibly snarky Jen as a kindergarten parent in Gelman's debut, Class Mom (2017), and caught up with her in third grade in You've Been Volunteered (2019). As our 53-year-old heroine's son enters fifth grade, Gelman's comic style has gotten a wee bit cramped—for one thing, she's already made a lot of the possible jokes about riding herd on the other parents, but also the mores of 2021 have taken some of the teeth out of her comedy. She can still do jokes about spelt-spirulina pretzels and gluten-free cookies; when Jen takes care of her daughter Viv's out-of-wedlock 2-year-old three days a week, she learns that "everything I did for [Viv] as a child has caused adult-onset you-name-it," resulting in a "parenting style that can best be described as a cross between Mary Poppins and the surgeon general." On the other hand, great care must be taken not to offend anyone, removing a lot of comic potential. Gelman confesses in her acknowledgments that her editor had "the unfortunate job of telling me over and over again, 'You can't say things like that anymore.' " Honestly, you can tell, though the struggle to tamp down the inappropriate didn't quite succeed in this amusing sentence: "My parents' possible dementia is nothing to laugh about, but the people in the basement have become a scapegoat for everything from who ate the last cookie to who killed JonBenét Ramsey." What's added to fill the void is way, way too much spin class. Do Gelman's readers really want to hear so much about Jen's vigorous exercise program, including 6:30 p.m. yoga classes and insights like "I have discovered that yoga is a great counter-workout to spinning, which has a tendency to tighten up my legs and hip flexors"? Let's hope that middle school gives Jen more room to breathe.
Not the strongest of the series.Pub Date: July 13, 2021
ISBN: 978-1-250-77757-7
Page Count: 256
Publisher: Henry Holt
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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