Not the strongest of the series.
Jen Dixon is now a caregiving grandma, a classroom parent, a PTA fundraiser, and a spin instructor—Stay in the saddle, riders!
We met the irresistibly snarky Jen as a kindergarten parent in Gelman's debut, Class Mom (2017), and caught up with her in third grade in You've Been Volunteered (2019). As our 53-year-old heroine's son enters fifth grade, Gelman's comic style has gotten a wee bit cramped—for one thing, she's already made a lot of the possible jokes about riding herd on the other parents, but also the mores of 2021 have taken some of the teeth out of her comedy. She can still do jokes about spelt-spirulina pretzels and gluten-free cookies; when Jen takes care of her daughter Viv's out-of-wedlock 2-year-old three days a week, she learns that "everything I did for [Viv] as a child has caused adult-onset you-name-it," resulting in a "parenting style that can best be described as a cross between Mary Poppins and the surgeon general." On the other hand, great care must be taken not to offend anyone, removing a lot of comic potential. Gelman confesses in her acknowledgments that her editor had "the unfortunate job of telling me over and over again, 'You can't say things like that anymore.' " Honestly, you can tell, though the struggle to tamp down the inappropriate didn't quite succeed in this amusing sentence: "My parents' possible dementia is nothing to laugh about, but the people in the basement have become a scapegoat for everything from who ate the last cookie to who killed JonBenét Ramsey." What's added to fill the void is way, way too much spin class. Do Gelman's readers really want to hear so much about Jen's vigorous exercise program, including 6:30 p.m. yoga classes and insights like "I have discovered that yoga is a great counter-workout to spinning, which has a tendency to tighten up my legs and hip flexors"? Let's hope that middle school gives Jen more room to breathe.
Not the strongest of the series.Pub Date: July 13, 2021
ISBN: 978-1-250-77757-7
Page Count: 256
Publisher: Henry Holt
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
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