A strong conclusion to a monumental tale of the American Revolution.
The Seeds of America trilogy concludes at the Battle of Yorktown as Isabel and Curzon, along with the emerging new nation, grapple with the meaning of liberty.
Isabel’s journey in the first two novels took her from New York City in 1776 to Valley Forge in the winter of 1777-1778; now she’s gone to Yorktown in 1781, in search of her younger sister, Ruth, who had been separated from her and sent south from New York City. Curzon and Isabel have known each other since trilogy opener Chains (2008), when Isabel saved him from certain death in a British prison, and they have experienced much together. Curzon has become a believer in the patriots’ dream of creating a new nation conceived in liberty, but Isabel reminds him that “we’d been enslaved by both Patriots and Loyalists, and that neither side was talking about freedom for people who looked like us.” And they are both shaken by news that “self-liberated people” are being imprisoned by the American army and delivered back into slavery. Isabel’s voice is strong in this first-person narrative; though the war is the backdrop, this is her personal story, her meditation on family, loyalty, slavery, freedom, and the principles behind the Revolution. Anderson’s appendix offers much additional historical detail in the form of responses to questions.
A strong conclusion to a monumental tale of the American Revolution. (appendix) (Historical fiction. 10-14)Pub Date: Oct. 4, 2016
ISBN: 978-1-4169-6146-8
Page Count: 304
Publisher: Atheneum
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
Overall, unlikely to satisfy any real thirst for adventure.
Four teens struggle to survive in a post-apocalyptic New York City.
After Jesse, Dave, Anna and Mini, 16-year-old youth ambassadors for the United Nations, are tossed around in a massive subway explosion, they emerge on the streets of the city to see people drinking from fire hydrants and rivers—and bodies. The teens take refuge in the Rainbow Room in Rockefeller Center, using the high vantage point to survey the remnants of Manhattan and plot their escape from the zombielike people they call Chasers. As Jesse scouts the bridges and tunnels, he learns that perhaps the Chasers are not as inhuman as they appear. Phelan, an Australian like narrator Jesse, uses slang judiciously, with minimal impact on the book’s overall readability. Jesse’s perceptions of New York City seem to come from a different era, with gangs and graffiti, though the author deserves credit for accurate geography. Secondary characters are given rough outlines, but they lack the nuance to add much to the narrative. In attempting to deviate from the normal zombie arc, Phelan fails to develop the Chasers as satisfyingly scary, making them awkward at best. Additional content includes both a discussion guide and an author question-and-answer section.
Overall, unlikely to satisfy any real thirst for adventure. (Adventure. 12-14)Pub Date: Oct. 30, 2012
ISBN: 978-0-7582-8066-4
Page Count: 256
Publisher: Kensington
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
BOOK REVIEW
A poignant story of art, growth and loss. (further reading, websites, list of museums) (Historical fiction. 10-14)
A young boy discovers the power of art during wartime in Matti’s second novel (Departure Time, 2010).
It’s November 1943 in New York City. When Linus’ older brother Albie leaves for the war, household responsibilities, just like the family’s well-worn shoes, pass down from sibling to sibling. Linus inherits the job of delivering groceries for the family store, and every other week, he brings a crate of oranges to a man he dubs “Mister Orange.” Based on the Dutch painter Piet Mondrian, Mister Orange introduces Linus to the “the colors of the future”—yellow, red and blue—that decorate his canvases and his apartment. For Linus, visiting Mister Orange, with whom he discusses art and who teaches him the boogie-woogie, is a welcome distraction from Albie’s absence. However, Linus soon wonders if art, whether it’s comic books or Mister Orange’s paintings, has a purpose when soldiers are dying. Matti ably depicts Linus’ loss of innocence as he discovers the brutality of war. However, certain subplots, like a fight between Linus and his best friend, feel too easily resolved. The novel is strongest in the depiction of Linus’ unlikely friendship with Mister Orange, who has a childlike spirit but also knows how art can be a way to fight for freedom. Concluding notes on Mondrian add context.
A poignant story of art, growth and loss. (further reading, websites, list of museums) (Historical fiction. 10-14)Pub Date: Jan. 14, 2013
ISBN: 978-1-59270-123-0
Page Count: 164
Publisher: Enchanted Lion Books
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
