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AUTOBIOGRAPHY OF A FAT BRIDE

TRUE TALES OF A PRETEND ADULTHOOD

Forced humor: not funny.

Remarkably unsuccessful attempt to amuse in a chronicle of one young woman’s bumpy metamorphosis from feckless college graduate to responsible, married Arizona citizen.

Frequently relying for laughs on body parts and body functions (sagging breasts, facial hair, excrement), Notaro (The Idiot Girls’ Action-Adventure Club, 2002) begins her rites of passage as a boyfriend moves out, running off with an old girlfriend to follow his dream of growing and smoking pot and learning to play an acoustic guitar. Notaro is more annoyed than heartbroken, but when she meets the amazing “Good Guy,” she freaks out, feeling pressured to keep him. The guy is really good; soon after moving in, he proposes, which means she must deal with a wedding. Mom takes charge as Notaro, comprehending the “phenomenon known as Dreading the Wedding,” is sucked into the great “bridal black hole.” She worries about her weight, body hair, and getting through the ceremony itself, which takes place three miles from a major airport, making most of the responses inaudible. The happy couple then buys a house that turns out to have no air-conditioning, so Notaro and her husband fight over who sweats the least. Married life has its problems, like backed-up plumbing and strange smells, but she copes with that as pluckily as she does with the itchy bra she buys at an outlet mall, becoming an aunt to the imperious “Little King,” and rescuing her Nana in the grocery store as she scales a wall of baked beans. To her horror, she realizes she is finally becoming an adult: she’s using her grocery coupons and doesn't understand the new Levi’s commercials. In the best and least forced chapter, Notaro describes sitting next to Nancy Sinatra on a plane flight and telling the singer how much Frank Sinatra had meant to her Italian-American family, especially her Nana. If only the rest of the text were that relaxed and natural.

Forced humor: not funny.

Pub Date: July 15, 2003

ISBN: 0-375-76092-X

Page Count: 256

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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