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A STUDY IN SHERLOCK

STORIES INSPIRED BY THE HOLMES CANNON

Enough variety for the dabbler, together with enough reverence for the canon to appeal to the true Holmes addict.

King (The Art of Detection, 2006, etc.) and Klinger (The New Annotated Sherlock Holmes, 2004, etc.) offer a selection of tributes to The Great Detective.

The 17 all-new entries range from homage to pastiche to mere whiffs of the deerstalker. In the comic-book format “The Mysterious Case of the Unwritten Short Story,” Colin Cotterill revels in being asked to contribute to such an important volume despite his complete ignorance of all things Sherlock. (His greatest concern seems to be avoiding “gaffs.”) Others are slicker. In “A Triumph of Logic,” Gayle Lynds and John Sheldon use Holmes proxy Linwood Boothby and his law clerk Artie Morey to prove that Emmy Holcrofts’s niece Ina Lederer did not really commit suicide. Lee Childs’ “The Bone-Headed League” gives the Doyle classic a modern twist, while S.J. Rozan retells Doyle’s tale from the opium-den-owners’ perspective in “The Men With the Twisted Lips.” Margaret Maron elevates Watson to the role of detective in “The Adventure of the Concert Pianist,” complete with Mrs. Hudson as his Watson, while in “The Case That Holmes Lost,” Charles Todd makes Conan Doyle the client, with lawyer John Whitman standing in for Holmes. Both Laura Lippman, in “The Last of Sheila-Locke Holmes,” and Jacqueline Winspear, in “A Spot of Detection,” trace the effect of too much Sherlock on young minds. Post-Holmes technology has its place. Dana Stabenow’s “The Eyak Interpreter” runs as a blog, and King and Klinger’s afterword offers a twitter exchange with King’s invention, Holmes’s wife Mary Russell. But the best stories focus on the universal appeal of Holmes. Tony Broadbent in “As to ‘An Exact Knowledge of London’ ” and Neil Gaiman in “The Case of Death and Honey” both explore the tantalizing question of how Holmes manages to be both fictional and immortal.

Enough variety for the dabbler, together with enough reverence for the canon to appeal to the true Holmes addict.

Pub Date: Oct. 25, 2011

ISBN: 978-0-8129-8246-6

Page Count: 400

Publisher: Bantam

Review Posted Online: Aug. 15, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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THE WINNER

Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)

Pub Date: Dec. 2, 1997

ISBN: 0-446-52259-7

Page Count: 528

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1997

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