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WHERE YOU END AND I BEGIN

A lot of good writing in search of a story with some juice left in it.

In the process of writing a book about her mother’s stories of her childhood trauma, the author found herself in a tussle over who owns the story.

"In my mother’s narrative of our lives,” writes McLaren, “the one I accepted and understood, the Horseman was both the clue and the final reveal. He was the keystone in the arch, the signature at the bottom of every page. As Homer Simpson once observed of beer, the Horseman was the cause of and solution to all of life’s problems." The author describes how she wanted to use her mother’s stories of abuse, starting at the age of 12, by her riding teacher, the Horseman, as material for a memoir, a project on which her mother, also a writer, had agreed to collaborate, according to McLaren. However, once the book was sold and the manuscript begun, her mother, Cecily Ross, withdrew her permission, deciding to keep the story for her own use, the author says. Rather than comply, McLaren chose to weave the unfolding conflict into the narrative, including the fact that her mother beat her to print with a 2020 essay in the Literary Review of Canada aggressively titled "This Story Is Mine." Her daughter disagrees. "Stories are like children,” she writes, “and children are like barn fires….Go ahead, toss a match in the hay. After that the thing will live and breathe. It will go where it wants. You cannot pretend to own it any more than you can control it." In the end, McLaren took a compromise position, minimizing the Horseman material and centering the mother-daughter relationship and other stories about her childhood—from a cruel game she played with her little sister to the pitched battles she fought with her stepmother to what seems like an early discovery of microdosing when she was in high school: "I spend my school days in a blur, snacking from the bottomless ziplock bag of magical fungus….Taken in small quantities, mushrooms lift my spirits."

A lot of good writing in search of a story with some juice left in it.

Pub Date: July 26, 2022

ISBN: 978-0-06-303718-2

Page Count: 256

Publisher: Amistad/HarperCollins

Review Posted Online: June 15, 2022

Kirkus Reviews Issue: July 15, 2022

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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UNGUARDED

Basketball fans will enjoy Pippen’s bird’s-eye view of some of the sport’s greatest contests.

The Chicago Bulls stalwart tells all—and then some.

Hall of Famer Pippen opens with a long complaint: Yes, he’s a legend, but he got short shrift in the ESPN documentary about Michael Jordan and the Bulls, The Last Dance. Given that Jordan emerges as someone not quite friend enough to qualify as a frenemy, even though teammates for many years, the maltreatment is understandable. This book, Pippen allows, is his retort to a man who “was determined to prove to the current generation of fans that he was larger-than-life during his day—and still larger than LeBron James, the player many consider his equal, if not superior.” Coming from a hardscrabble little town in Arkansas and playing for a small college, Pippen enjoyed an unlikely rise to NBA stardom. He played alongside and against some of the greats, of whom he writes appreciatively (even Jordan). Readers will gain insight into the lives of characters such as Dennis Rodman, who “possessed an unbelievable basketball IQ,” and into the behind-the-scenes work that led to the Bulls dynasty, which ended only because, Pippen charges, the team’s management was so inept. Looking back on his early years, Pippen advocates paying college athletes. “Don’t give me any of that holier-than-thou student-athlete nonsense,” he writes. “These young men—and women—are athletes first, not students, and make up the labor that generates fortunes for their schools. They are, for lack of a better term, slaves.” The author also writes evenhandedly of the world outside basketball: “No matter how many championships I have won, and millions I have earned, I never forget the color of my skin and that some people in this world hate me just because of that.” Overall, the memoir is closely observed and uncommonly modest, given Pippen’s many successes, and it moves as swiftly as a playoff game.

Basketball fans will enjoy Pippen’s bird’s-eye view of some of the sport’s greatest contests.

Pub Date: Nov. 9, 2021

ISBN: 978-1-982165-19-2

Page Count: 320

Publisher: Atria

Review Posted Online: Sept. 14, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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