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NEITHER OUT FAR NOR IN DEEP

A well-crafted coming-of-age story that offers an earnest antidote to teen disaffection.

A troublesome teenager must adjust to life with his grandfather in the West Indies in Williams’ debut YA novel.

Black American teen Kadeem Johnson has just earned his third suspension in a month from his Florida high school for fighting. It’s the last straw for Kadeem’s mom, Gwendolyn, a hardworking nurse who packs him off to stay with his grandfather on St. Kitts, the West Indies island where she grew up. (The author’s portrayal of Gwendolyn’s love, frustration, and fear for Kadeem’s future offers a convincing impetus for her desperate decision.) Narrator Kadeem is certain that in a week or two his mother will feel that he’s learned his lesson: “I was gonna be back in Orlando soon. I was gonna have WiFi soon. This was all gonna be over soon.” Soon, he comes to terms with the fact that the arrangement may be permanent. Adjusting with difficulty to a different culture, Kadeem slowly finds positives in his enforced new life: his evolving relationship with a girl named Tess Turnbull; his school, where everyone has to wear a uniform, but there’s no lockdown drills and no one messes with you in the halls; and his eccentric grandfather, whose sly brand of tough love (involving physical labor and self-reliance) earns Kadeem’s grudging cooperation and respect—and, he realizes in a time of crisis, his affection. The novel straightforwardly asserts the behavioral and societal benefits of avoiding social media, having more structure in schools, and eating a healthier diet. It’s hardly subtle in its message, but it’s wrapped in lively, relatable storytelling. And although readers may find the rendering of some characters’ West Indian accents a bit wearying (“you cyan jus’ come root up de chile lak’ he a running vine”), the island setting, rooted in the author’s own upbringing on St. Kitts, is brimming with authenticity.

A well-crafted coming-of-age story that offers an earnest antidote to teen disaffection.

Pub Date: April 27, 2022

ISBN: 9798813996856

Page Count: 167

Publisher: Self

Review Posted Online: Nov. 18, 2022

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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