Diverse and diverting.
Editor Child, series editor Otto Penzler, and their colleague Michele Slung team up to offer 20 gems from 2021 in the first volume of a new series.
Many of this year’s best follow a familiar road: pitting a rugged male hero, often with military street cred, against the bad guys. Doug Allyn’s “30 and Out” features an Afghan War vet who hunts a colleague’s killer; Jim Allyn’s ex-Army police veteran worries about being teamed with an unreliable partner in “Things That Follow.” But a surprising number include less traditional crime busters. A young man entranced with the Irish language is the gentle hero of Andrew Welsh-Huggins’ “The Path I Took.” Sara Paretsky’s V.I. Warshawski, a familiar female gumshoe, makes a welcome appearance in “Love & Other Crimes” along with the female proprietor of Wilde Investigations in Janice Law’s “The Client.” Moms get into the act in Alison Gaylin’s “The Gift” and Tom Mead’s “Heatwave.” So do new friends, in Martin Edwards’ “The Locked Cabin,” and frenemies, in Jacqueline Freimor’s “That Which Is True.” And in a startling tribute to the power of sisterhood, Joseph S. Walker shows how quickly female strangers can bond if the need is urgent in “Etta at the End of the World.” Women take starring roles on the wrong side of the law in John Floyd’s “Biloxi Bound” and Joyce Carol Oates’ “Parole Hearing, California Institution for Women, Chino, CA." Child’s selections seem especially appropriate for 2021, a year that promises change on so many fronts. The only exception is the unexplained bonus reprint, Ambrose Bierce’s “My Favorite Murder,” a bitter tale of a man who revels in the sadistic murder of his uncle. That one belongs to 2020.
Diverse and diverting.Pub Date: Sept. 14, 2021
ISBN: 978-1-61316-267-5
Page Count: 451
Publisher: Mysterious Press
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.
A luxury liner bound for New York in 1924 becomes the scene of a twisty golden age pastiche.
When an unnamed third-class passenger discovers the body of an elderly man at the bottom of an exterior flight of stairs aboard the Endeavour, Capt. McCrory insists it must be an accident. But James Temple, a Scotland Yard detective who just happens to be aboard, says that no one would have ventured to the outdoor steps in the rain without a coat, so the death should be treated as suspicious. Unable to stop Temple from investigating, McCrory assigns ship’s officer Timothy Birch to accompany him, and Birch promptly becomes the world’s most unwilling Dr. Watson, constantly battling Temple over theories and procedures. Anxious that they have only four days to find a potential killer before the ship docks and lets its 2,000 passengers roam free in New York, he’s especially infuriated at the leisurely pace marked by Temple’s bromide, “Facts before witnesses.” There’s reason to sympathize with Temple, because the suspects in first and second class (the only classes that matter in this ultra-class-conscious world) are cardboard cutouts—the successful banker, his trophy wife, the aspiring artists, the gallery owner—who are much less interesting than the secrets they’re hiding. In his most anachronistic development, author Hindle shows Birch, unlike the imperturbable sidekicks he echoes, sunk in grief over his vanished daughter, Amelia, and his estranged wife, Kate, who left him after Amelia disappeared during one of his ocean voyages. He’d do anything to get his daughter back, he tells Temple, and his determination leads to the biggest surprise of all.
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.Pub Date: Sept. 29, 2026
ISBN: 9798217185740
Page Count: 464
Publisher: Dutton
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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