Perceptive and endearing, this novel signals the arrival of a talented new voice in fiction.
An aspiring writer returns to his home state of Kentucky and meets a woman who will change his perspective—and his trajectory.
“I’ve always had the same predicament. When I’m home, in Kentucky, all I want is to leave. When I’m away, I’m homesick for a place that never was,” Owen, the narrator of Cole’s charming debut novel, tells us in the book’s opening lines. This is also what Owen drunkenly tells Alma the night he meets her at a grad-student party in the foothills outside Louisville, where he works as a groundskeeper, tending to trees on the campus of a small private college, and Alma is a visiting writer. Well-read yet rudderless, Owen, too, has literary aspirations, taking copious notes on his life to use in his work; his humble job at the college allows him to take a writing class for free. Having returned to his home state following a stint working dead-end jobs and partying in Colorado and disinclined to move in with either of his divorced parents, whose kindness is eclipsed, in Owen’s mind, by their religious fundamentalism and political conservatism, Owen is living rent-free in his genial grandfather’s basement, watching movies with the old man and butting heads with his unemployed uncle, Cort, who, at 52, has failed to launch. Owen seems in danger of getting equally stuck. Enter Alma, whose background couldn’t be more different from Owen’s rural, working-class upbringing. Alma was raised in a liberal, loving, upper-middle-class home in an affluent Virginia suburb of Washington, D.C.; attended Princeton; and, at age 26, has found acclaim as a fiction writer. Yet her childhood was not without its challenges: A Bosnian Muslim, she was born in Sarajevo and came to America with her family to escape the war. Owen and Alma gradually fall in love, and their culture-bridging connection alters Owen, ultimately allowing him to learn and grow. But Cole’s novel is more than a love story or a coming-of-age tale. Written with superb attention to detail and subtle emotional complexities, the book also offers a lovingly nuanced look at America—its longtime residents and recent immigrants; its ramshackle rural beauty, urban revival, and suburban safety; and its generous opportunities for reinvention. In the end, it is a love letter to home.
Perceptive and endearing, this novel signals the arrival of a talented new voice in fiction.Pub Date: March 1, 2022
ISBN: 978-0-593-32050-1
Page Count: 336
Publisher: Knopf
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
BOOK REVIEW
SEEN & HEARD
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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