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Beyond Australia

A richly drawn and always-entertaining time-travel novel for younger readers.

Awards & Accolades

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A teenage girl goes back in time to save her grandfather from a peculiar medical condition in Forrest’s debut YA novel.

Fourteen-year-old Susan Ferguson can’t stay out of trouble. That’s why her mother has sent her to New York City to spend the summer with her grandfather, a historian and author. Susan is happy to go (during a previous visit, she served as Gramps’ research assistant for a book about 19th-century New York), but when Gramps fails to meet her at the train station, Susan knows something about this trip will be different. She finds her way to his apartment, where an apologetic Gramps explains that he “was…absent, I guess you might say.” Gramps has recently been suffering from confusing spells that seem to allow him to travel back in time. He suspects he’s been infected by a bacteria introduced to the ancestral family home by his surgeon great-great-grandfather, whose tools he recently found and handled—the doctor left records regarding a patient with the very same symptoms. Now Gramps needs Susan to go back in time, steal this patient’s brain, and bring it back so they can find a cure. Susan agrees and manages to travel back to 1872 via an old linen chest and a great deal of concentration. Once she’s there, the short-haired Susan passes herself off as a boy named Sam West and covers up her modern accent by pretending to be from Australia. Unfortunately, Susan arrives a month earlier than she meant to; the patient, Micah Gaffney, is still alive, meaning his brain is not yet available. Susan—or Sam—will have to figure out a way to survive the next month, and she will need some money. In steps Stogie McBride, a streetwise newspaper boy, who helps Susan navigate the alien world of 1872 New York where children behave a lot more like adults and a wrong move can change the course of history. Can Susan manage to keep out of trouble long enough to steal Micah Gaffney’s brain and save Gramps, or will she accidentally wipe her entire lineage off the map?

Forrest is clearly as big a fan of history as Gramps—the author vividly recreates the 1870s in all of their brilliant weirdness. Once she meets up with Gaffney and his friend, the social reformer Victoria Woodhull, Susan is surprised to find the number of out-of-this-world concepts the intellectuals are willing to entertain: “Even while I’d been there, I heard them talk about something called pantarchy, phrenology, animal magnetism, universology, and contacting the spirits of the dead.” Susan is not always completely convincing as a contemporary teenager—she makes a reference to the Keystone Cops—but everything else about the setting and time period (and even the rather unscientific explanation for time travel) works very well. The narrative, which is more playful than the standard breathless, earnest YA fare of today, feels like a throwback to an earlier era of children’s literature. One cannot help but hope there are more time-hopping adventures featuring Susan—or Sam West—in the future.

A richly drawn and always-entertaining time-travel novel for younger readers.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Feb. 20, 2025

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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