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KNIGHT IN RETROGRADE

From the Dynamicist Trilogy series , Vol. 3

Strong characters face a maelstrom in this intense, intellectually rigorous fantasy series finale.

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In this third installment of a series, a group of heroes confronts a formidable demon who wants to thwart societal progress.

Four years after eliminating the mad professor Keith Euyn, Sir Robert Endicott and his fellow Knights of Vercors continue to shape a better world. Their ambitious and dangerous Lighthouse plan would tame the Ardgour Wilderness that lies beyond the fields of the New School’s genetically engineered grain. The Knights, including Sir Eloise Kyre and Lord Gregory Justice, must help push back the skolves (humanoid wolves) and potentially battle the demons Skoll and Hati. Other key components of the mission are testing the Javelin communication system and eventually finding the lost Bifrost Bridge connecting all to the ethereal Methueyn Knights. Accomplishing these objectives will require the Knights’ dynamicist skills, which manipulate thermodynamics to alter probabilities. But the use of these abilities typically summons demons. Dynamicist Heylor Style knows their wrath well. His team of eight died fighting otherworldly monstrosities in the wilderness. He’s now back in Vercors, partnered with the understanding and even-tempered Constable Lynwen. He finds himself instantly smitten with her. They investigate a series of strange hangings, appearances by a cloaked man, and yet more protests at the New School. People once again prove distrusting of scientific solutions, this time a vaccine for goose fever. The real danger is that any instance of true scientific invention will bring forth Nimrheal, the demon who punishes innovators. Little does Robert realize that he and his love, Koria Valcourt, have already been punished. She suffered a stillbirth and fails to tell him before he leaves for an operation.

This final volume of Hunt’s fantasy trilogy bursts at the seams with notions of science, spirituality, and politics pertaining to the 21st-century political climate. He underlines a main theme of his series—that progressive society must remain vigilant against ignorance—by including vaccines, the bugaboo of conspiracy-minded parents, in the plot. Nimrheal is a literal beast to slay, but he also represents the amorphous forces of disinformation and dogma that plague industrialized nations. And while it’s true that “bad people succeeded because they were allowed to,” as Eloise believes, sometimes evil “had no face, no armor, certainly no name. There was no rational knowledge or true understanding of it to be had.” Notably intertwined with these epic happenings are Heylor’s personal struggles. He suffers an ever diminishing sense of self after running from a fight and losing his soldiers. When Lynwen accepts Heylor’s embarrassing family, he becomes attached to her. Readers also learn that Heylor used to bully someone in his youth and still harbors shame, despite outgrowing such abhorrent behavior. His grounded character arc is exceptional, as he’s surrounded by others, like Robert and Eloise, who seem like perfect heroes. These last two deliver plenty of straightforward fantasy action, as when “Eloise put her entire body into a ferocious lateral strike that cut the skolve in half at the waist.” But the unique pulse of this series remains the author’s dedication to thematic sprawl and a hard-science magic system.

Strong characters face a maelstrom in this intense, intellectually rigorous fantasy series finale. (character guide)

Pub Date: Sept. 8, 2020

ISBN: 978-1-9990935-4-9

Page Count: 504

Publisher: Self

Review Posted Online: July 13, 2020

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ARTEMIS

One small step, no giant leaps.

Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.

Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”

One small step, no giant leaps.

Pub Date: Nov. 14, 2017

ISBN: 978-0-553-44812-2

Page Count: 320

Publisher: Crown

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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