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KNIGHT IN RETROGRADE

From the Dynamicist Trilogy series , Vol. 3

Strong characters face a maelstrom in this intense, intellectually rigorous fantasy series finale.

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In this third installment of a series, a group of heroes confronts a formidable demon who wants to thwart societal progress.

Four years after eliminating the mad professor Keith Euyn, Sir Robert Endicott and his fellow Knights of Vercors continue to shape a better world. Their ambitious and dangerous Lighthouse plan would tame the Ardgour Wilderness that lies beyond the fields of the New School’s genetically engineered grain. The Knights, including Sir Eloise Kyre and Lord Gregory Justice, must help push back the skolves (humanoid wolves) and potentially battle the demons Skoll and Hati. Other key components of the mission are testing the Javelin communication system and eventually finding the lost Bifrost Bridge connecting all to the ethereal Methueyn Knights. Accomplishing these objectives will require the Knights’ dynamicist skills, which manipulate thermodynamics to alter probabilities. But the use of these abilities typically summons demons. Dynamicist Heylor Style knows their wrath well. His team of eight died fighting otherworldly monstrosities in the wilderness. He’s now back in Vercors, partnered with the understanding and even-tempered Constable Lynwen. He finds himself instantly smitten with her. They investigate a series of strange hangings, appearances by a cloaked man, and yet more protests at the New School. People once again prove distrusting of scientific solutions, this time a vaccine for goose fever. The real danger is that any instance of true scientific invention will bring forth Nimrheal, the demon who punishes innovators. Little does Robert realize that he and his love, Koria Valcourt, have already been punished. She suffered a stillbirth and fails to tell him before he leaves for an operation.

This final volume of Hunt’s fantasy trilogy bursts at the seams with notions of science, spirituality, and politics pertaining to the 21st-century political climate. He underlines a main theme of his series—that progressive society must remain vigilant against ignorance—by including vaccines, the bugaboo of conspiracy-minded parents, in the plot. Nimrheal is a literal beast to slay, but he also represents the amorphous forces of disinformation and dogma that plague industrialized nations. And while it’s true that “bad people succeeded because they were allowed to,” as Eloise believes, sometimes evil “had no face, no armor, certainly no name. There was no rational knowledge or true understanding of it to be had.” Notably intertwined with these epic happenings are Heylor’s personal struggles. He suffers an ever diminishing sense of self after running from a fight and losing his soldiers. When Lynwen accepts Heylor’s embarrassing family, he becomes attached to her. Readers also learn that Heylor used to bully someone in his youth and still harbors shame, despite outgrowing such abhorrent behavior. His grounded character arc is exceptional, as he’s surrounded by others, like Robert and Eloise, who seem like perfect heroes. These last two deliver plenty of straightforward fantasy action, as when “Eloise put her entire body into a ferocious lateral strike that cut the skolve in half at the waist.” But the unique pulse of this series remains the author’s dedication to thematic sprawl and a hard-science magic system.

Strong characters face a maelstrom in this intense, intellectually rigorous fantasy series finale. (character guide)

Pub Date: Sept. 8, 2020

ISBN: 978-1-9990935-4-9

Page Count: 504

Publisher: Self

Review Posted Online: July 13, 2020

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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