A colorful but somewhat unconvincing novel of impulse and delusion.
A woman with obsessive tendencies becomes the object of someone else’s obsession in Goldberg’s thriller.
Lexi Mazur is a pharmaceutical rep with a pill addiction and a fondness for vodka. She’s just been dumped by her boyfriend, Steve, who’d gotten wise to the fact that she’s been spying on him to make sure he hasn’t been cheating. Now she has little to do in her spare time other than sit around her Queens apartment with her cat, Sammi, and watch reality television shows. Her new favorite is Socialites, which follows a group of rich “frenemies” as they navigate New York City high society. She quickly becomes engrossed by the show’s star, Magnolia Artois, in whom Lexi sees some combination of role model and kindred spirit. She starts to stalk Magnolia on social media, commenting on all her posts, and then starts showing up in person at the show’s filming locations. Magnolia doesn’t react to Lexi’s fandom the way that Lexi wants her to, however, which forces the single-minded woman to escalate things a bit. Then something unexpected happens: Lexi attracts a stalker of her own. “I heard a rustling.…A shadow materialized, stalked away with a scraping sound against the dirt.” At first, Lexi is strangely turned on by it, but then the watcher becomes increasingly intrusive—and threatening, as when she receives a profanity-laden phone call from a restricted number: “I WILL GUT YOU….I’LL SCATTER YOUR BODY PARTS ALL OVER NEW YORK CITY.” But who could it be? Steve? Jeremy, the ex-boyfriend whom she alienated with her extreme behavior? Pria, her longtime best friend, whom Lexi suspects has a secret crush on her? Or is it Magnolia herself?
As Lexi continues in a pill-fueled haze, the lines between stalker and stalked, friend and frenemy, and reality and reality TV become increasingly blurred. Goldberg’s prose, as narrated by the protagonist, is snarky and slightly frenetic in tone: “I found solace when I got home in a pint of ice cream with broken up my blue heavens and a vodka chaser,” begins one chapter, referencing the blue pills that Lexi pops constantly. Another starts off, “Even though I wanted to head home and ooze into the couch watching reality TV, I needed to sell some drugs.” Parts of the novel are quite engrossing. The book is darkly comic, satirizing a number of contemporary institutions—big pharma, reality TV, social media celebrity—while pulling the reader into more transgressive territory involving sex, addiction, violence, and mental illness. However, the author seems to ultimately have very little to say about any of these topics. Also, almost nothing about the story feels terribly believable; its events are slightly too heightened, and Lexi’s thoughts seem slightly too well-organized considering her chaotic lifestyle. The subject matter is so serious on its face—and often in the story, which is not purely a comedy—that Lexi’s characterization feels gratuitous, akin to the shows she loves, which often seem to be messy-for-messy’s-sake.
A colorful but somewhat unconvincing novel of impulse and delusion.Pub Date: Sept. 17, 2021
ISBN: N/A
Page Count: 154
Publisher: Down & Out Books
Review Posted Online: Aug. 20, 2021
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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