A sensual set of character studies, shaped by compassion and defiance.
A group of teen mothers gathers in solidarity.
Mottley’s second novel, following Nightcrawling (2022), concerns the Girls, a clique of young women in the coastal town of Padua Beach, Florida, united by their teen pregnancies and active contempt for the families, schools, and other social structures that seek to diminish them. The story alternates among three narrators, starting with leader Simone, who in a vivid opening scene describes chewing off her umbilical cord in the bed of a pickup truck for lack of a knife. (Well, a clean one—her partner’s dingy blade, like most of the men in this story, doesn’t measure up.) The second narrator, Adela, an aspiring Olympic swimmer until her pregnancy, has been shipped by her family to Padua Beach until she gives birth. The third, Emory, has an infant son, Kai, whom she insists on bringing to high school during her senior year, determined to go to college. Each in their own way claps back against their critics, hyperalert to how they’re diminished: “You wouldn’t believe what happens when a girl these days gets knocked up,” Emory says. “Suddenly, it’s the most important thing about you…You are nothing but a young mother.” Mottley’s lyrical prose and spirited characters are meant to be a counterweight to such reductionism, and there are fine set pieces throughout: bonding over breastfeeding methods, selling “jungle juice” to spring breakers for extra funds, a harrowing homebrew abortion that’s forced by hyperrestrictive state legislation. The plot can get soap opera–ish—Simone’s brother, Jayden, is the father of Emory’s child, and romantic squabbles abound. At times, Mottley’s prose gets overheated: “They don’t tell you in first aid training about the way blood works, about the thump and swirl of red hot beneath the skin and what happens when it runs drought dry.” But the ferocity of her characters gets over, letting an aggressively misunderstood group speak for itself.
A sensual set of character studies, shaped by compassion and defiance.Pub Date: June 24, 2025
ISBN: 9780593801123
Page Count: 352
Publisher: Knopf
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
BOOK REVIEW
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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