This dark twist on the old legend of stolen children is a spooky, compelling read.
When a man-people moves into the old cottage in the woods, Wicked Nix isn’t happy.
Having been given temporary responsibility for the forest, Wicked Nix is afraid that when the Good Queen returns from the Summer Country, she’ll be angry to see a people living in the woods. That’s not allowed, according to fairy rule. And if the Good Queen is angry at Wicked Nix, she might leave him behind again when all the other fairies go to the Summer Country at next Midsummer, like she did last year. So Wicked Nix sets to work trying to trick the man-people into leaving, using ideas inspired by his friends Mr. Green and Rose the Wise, a little girl-people with “strange and amazing powers.” But as Wicked Nix learns more about the man-people, he begins to suspect all is not what it seems. Coakley offers up a secretive tale with an abundance of turns and surprises, illustrated with Zollars’ black-and-white sketches (in which Rose the Wise presents black and the man-people and Wicked Nix have pale skin). The worldbuilding in this short tale occasionally feels forced and at times inconsistent, but readers pulled in by the premise will enjoy puzzling through unreliable-narrator Wicked Nix’s mysteries.
This dark twist on the old legend of stolen children is a spooky, compelling read. (Fantasy. 8-12)Pub Date: Oct. 9, 2018
ISBN: 978-1-4197-2869-3
Page Count: 176
Publisher: Amulet/Abrams
Review Posted Online: July 2, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth.
A nuanced novel about a neurodiverse preteen’s political and social awakening by a Pura Belpré Honor–winning author.
Sixth grader Emilia Rosa Torres sometimes has a hard time keeping up with schoolwork and concentrating on one thing at a time, but her software-developer mother and superinvolved abuelita help her keep on task. Days before her father’s return to their Atlanta suburb from his most recent deployment, her mother goes on a business trip, leaving the middle schooler to juggle his mood swings, her friend troubles, and her looming assignments all on her own. When a social studies project opens her eyes to injustices past and present, Emilia begins to find her voice and use it to make an impact on her community. Writing with sensitivity and respectful complexity, Cartaya tackles weighty issues, such as immigration, PTSD, and microaggressions, through the lens of a budding tinkerer and activist who has ADHD. The members of this Cuban American family don’t all practice the same religion, with Emilia’s Catholic grandmother faithfully attending Mass multiple times a week and the protagonist’s mother celebrating her culture’s Yoruba roots with Santería. Conversations on race and gender crop up through the narrative as Emilia’s grandmother likes to emphasize her family’s European heritage—Emilia can pass as white, with her fair complexion, light eyes and auburn hair. All of these larger issues are effortlessly woven in with skill and humor, as is the Spanish her family easily mixes with English.
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth. (author’s note) (Fiction. 9-12)Pub Date: Aug. 6, 2019
ISBN: 978-0-451-47972-3
Page Count: 336
Publisher: Kokila
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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