Can a mouse play music on its tail like a flute? That implausibility and another illogical wrinkle make this latest Lionni animal tale less the fable it aspires to be, and more of an arbitrary fantasy. Mouse Geraldine discovers an enormous piece of Parmesan cheese, persuades her mouse friends to help her move it on the promise of a piece each—and then, nibbling off bits to keep her bargain, "frees" a giant mouse of solid cheese. . . which is holding a flute. (That, chunk by chunk, she should be uncovering a pre-existing form of the same substance is the stumper here.) The flute, she finally sees, is really the tip of the mouse's tail; and that night and every night thereafter, music fills the air. Then one day her mouse friends, out of food, beg a share of her big cheese mouse—asking her, in effect, to give up her music! (Destroying the musical cheese-mouse itself causes no alarm.) But, she discovers—somehow playing a tune on her tail—that "Now we CAN eat the cheese. Because. . . now the music is in me." The question, though, is whether it got there by legitimate means or outright contrivance.
Pub Date: Sept. 1, 1979
ISBN: 0375855149
Page Count: 34
Publisher: Pantheon
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Sept. 1, 1979
A wonderfully charming tale of family and sisters that anyone can bond with.
Two sisters who are constantly at odds take a family road trip that covers more ground—both literally and figuratively—than they expect.
After begging her parents for a sister, Raina gets more than she bargained for once Amara is born. From the moment she was brought home, Amara hasn’t been quite the cuddly playmate that Raina had hoped. As the years pass, the girls bicker constantly and apparently couldn’t be more unalike: Raina spends her time indoors underneath her headphones, and Amara loves animals and the outdoors. The girls, their mother and their little brother all pack up to drive to a family reunion, and it seems like the trip’s just going to be more of the same, with the girls incessantly picking on each other all the way from San Francisco to Colorado. However, when the trip doesn’t go quite as planned—for a number of reasons—the girls manage to find some common ground. Told in then-and-now narratives that are easily discernable in the graphic format, Telgemeier’s tale is laugh-out-loud funny (especially the story about the snake incident) and quietly serious all at once. Her rounded, buoyant art coupled with a masterful capacity for facial expressions complements the writing perfectly. Fans of her previous books Smile (2010) and Drama (2012) shouldn’t miss this one; it’s a winner.
A wonderfully charming tale of family and sisters that anyone can bond with. (Graphic memoir. 7-13)Pub Date: Aug. 26, 2014
ISBN: 978-0-545-54059-9
Page Count: 208
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
The visual details invite interaction, making it a good choice for storytime or solo inspection.
It’s a quiet day, until….
“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.
The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)Pub Date: July 23, 2019
ISBN: 978-0-425-28881-8
Page Count: 40
Publisher: Viking
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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