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HOW MUCH LAND DOES A MAN NEED?

A man’s greed leads to his downfall in this adaptation of an 1886 short story. Pakhom is a peasant whose wife is happy with life but who himself has an insatiable desire for more and more land. He follows rumors and stories from place to place, enlarging his holdings each time, until he hears that the Bashkirs are practically giving away huge tracts of land. He investigates, to find that for 1,000 rubles, he can claim as much land as he can walk around in a day. Greed keeps him walking until sundown, when he finally reaches his starting point—and falls down dead. It is a sudden end to what has until that point been a fairly sprightly tale about greed and contentment along the lines of the many variants on “The Fisherman and His Wife.” The final illustration depicts Pakhom ascending with a host of angels, but it is doubtful that this will do much to soften the text: “Pakhom’s servant . . . dug his master a grave—just as long and as wide as Pakhom’s body where it lay upon the earth.” As an adaptation, the story cuts much from the original that lends it psychological and political depth, notably the involvement of the Devil in Pakhom’s lust for land and Pakhom’s relationships with various local Communes and landlords. Kiev-based Abesinova’s illustrations are humorous and highly detailed, cramming every possible element into richly colored, flat tableaux. Although they are entirely pleasing of themselves, they do little to extend the story of a man who is so driven to own land that he literally walks himself to death. For more psychologically satisfying treatments of the same theme, stick to the aforementioned folktales. There are no translation/abridgment/adaptation credits; however, a biographical note on Tolstoy follows the text. (Picture book. 6-8)

Pub Date: Nov. 1, 2001

ISBN: 1-56656-407-7

Page Count: 32

Publisher: Crocodile/Interlink

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2001

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HOW I BECAME A PIRATE

Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)

Pub Date: Sept. 1, 2003

ISBN: 0-15-201848-4

Page Count: 44

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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THE ADVENTURES OF HENRY WHISKERS

From the Adventures of Henry Whiskers series , Vol. 1

Innocuous adventuring on the smallest of scales.

The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.

In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).

Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)

Pub Date: Jan. 3, 2017

ISBN: 978-1-4814-6575-5

Page Count: 144

Publisher: Aladdin

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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