Milan is as likable as ever, his adventures as formulaic.
“I suppose,” muses Milan Jacovich, “when you’re in the business of messing in other people’s lives moral dilemmas come with the license.” In this 13th outing for Cleveland’s Marlowesque shamus (The Dutch, 2001, etc.), the moral dilemmas are particularly sticky. What to do, for instance, about the beautiful woman arguably out of bounds, the trusted friends who just happen to be mob-connected, and the vengeful murderer with whom he can’t help but empathize? It all begins when Common Pleas Judge Maureen Hartigan hires Milan to recover property conned from her by an Irish charmer whose brogue was as broad as his character was spurious. Was, that is, because soon enough Brian McFall (alias Jamie O’Dowd, alias William Poduska) turns past tense, shot to death in a shabby motel room. Near his corpse is a piece of paper with Milan’s name scrawled on it. Nowhere near, however, is the jewelry, the cash, or the envelope with certain family photographs Judge Hartigan had asked Milan to recover. A pair of dispiriting developments soon follow. One: Enter fire-breathing Lt. Florence McHargue, head of Cleveland PD’s homicide department, whose fickle tolerance for Milan is manifest mainly when she wants his help. Two: Fretful Milan now doubts that the Hartigan family is really what those purloined photos show. He’s right, of course. But before he learns for sure, his own name will flirt with the Irish Sports Pages—in Cleveland, the newspaper obituaries.
Milan is as likable as ever, his adventures as formulaic.Pub Date: Aug. 12, 2002
ISBN: 0-312-28661-9
Page Count: 304
Publisher: Dunne/Minotaur
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Determined to shield her family from violence, a woman becomes a fierce freelance crime fighter in this mostly satisfying...
In the aftermath of a horrific crime, a woman makes herself over into a powerful protector—or perhaps an avenger.
Pinter (The Castle, 2019, etc.) already has the Henry Parker thriller series under his belt. In this book he introduces another potential series character, Rachel Marin. The story opens with a warm domestic scene of a young woman making dinner for her husband and two kids when a shattering (but undescribed) discovery intervenes. Jump ahead seven years, and single mom Rachel is living in another town several states away. When a mugger jumps her as she’s walking home from work, she leaves him bleeding in the street and hurries home to her bookish son, Eric, and sweet little daughter, Megan. Keeping them safe is her mission in life. But when she sees a news report about a body found on the ice beneath a nearby bridge, she’s riveted. The cops assigned to the case, detectives John Serrano and Leslie Tally, are shocked to discover the body is that of the town’s disgraced former mayor, Constance Wright. They’re even more shocked when Rachel, whom they don’t know, sends Serrano a message that the death was no suicide: “Constance Wright was murdered. And I can prove it.” When Serrano and Tally go to question Wright’s sketchy ex-husband, Rachel shows up at the same time, and they don’t know whether to order her away or be grateful for her help. Pinter builds a complex plot on the dual mysteries of Constance’s murder and Rachel’s transformation from suburban mom to crack investigator and lethal streetfighter. But the story has so many subplots and timelines that it can feel overstuffed, and some crucial questions asked early on are answered so late the reader might be surprised to be reminded of them. Pinter creates engaging characters, though, and keeps the suspense taut.
Determined to shield her family from violence, a woman becomes a fierce freelance crime fighter in this mostly satisfying thriller.Pub Date: Jan. 7, 2020
ISBN: 978-1-5420-0590-6
Page Count: 368
Publisher: Thomas & Mercer
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
This is secondhand tough-guy stuff, memorable only in that it feels like you've read it all before.
A former mob enforcer–turned–private eye is called in to investigate the savage murder of a Mafia leg-breaker in New York's Hudson Valley and finds himself on the trail of corporate espionage and a serial killer long believed dead.
The second book in Barron's series featuring Isaiah Coleridge (Blood Standard, 2018) seems, more than the debut, an obvious attempt to establish Coleridge as a strongman smartass in the Jack Reacher mold. The fight scenes are the written equivalent of action-movie choreography but without suspense, because the setup—Isaiah being constantly outnumbered—is so clearly a prelude for the no-sweat beat downs he doles out to the various thugs who get in his way. There's nary a memorable wisecrack in the entire book. What does stick in the mind are the sections that go out of their way to be writerly. It's not enough to say that it was a starry night in the Alaskan wilderness. Coleridge (the name is a clue to the series' literary aspirations) says, "I could've read a book by the cascading illumination of the stars." A later flash of insight is conveyed by "The scalpel of grim epiphany sliced into my consciousness." What with the narrative that spreads like spider cracks in glass and the far-too-frequent flashbacks to the man who was Coleridge's mentor, you might wish another scalpel had made its way through the manuscript.
This is secondhand tough-guy stuff, memorable only in that it feels like you've read it all before.Pub Date: May 7, 2019
ISBN: 978-0-7352-1289-3
Page Count: 320
Publisher: Putnam
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
BOOK REVIEW
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