As in Fish, Blood and Bone (2001), Forbes uses the conventions of the romance and the thriller, transforming and discarding...
The restoration of a famed Raphael canvas reveals matters far more scandalous than hidden brushstrokes in Forbes’s magical Italian idyll.
British art expert Charlotte Penton has come to Urbino to supervise the restoration of La Muta, one of the few portraits to remain in Raphael’s hometown. Because Charlotte’s reserve comes across as snobbery on television, her commentary’s being put into the mouth of Donna Ricco, a well-endowed, good-hearted, empty-headed Canadian girl who’s slept with exactly the right people to get the job. But the rivalry between the two women is only the tip of the paintbrush, as a local wild woman called La Muta reveals during a reception when she attacks the painting with a knife. Although La Muta, who hasn’t spoken for 50 years, misses Count Dado Malaspino, the worldly hotelier widely believed to be her target, her assault on the painting draws miraculously real blood—and a pair of dueling experts intent on debating the miracle. Professor Andrea Serafini, of the Italian Commission for the Investigation of Claims of the Paranormal, is a professional debunker; Monsignor Seguita, a forensic pathologist from the Vatican, a professional authenticator. Their ceaseless debate, however, misses the real mystery Charlotte and Donna focus on. Whatever her target was, what was La Muta’s connection to the Nerruzzi pig-farming consortium, the shadowy force behind a recent epidemic of violence in the bucolic town, and why was she so intent on inflicting damage for wrongs that may go all the way back to the closing days of WWII and the destruction of the village of San Rocco? Their investigations prove once more that “nothing is ever simply itself in Italy.”
As in Fish, Blood and Bone (2001), Forbes uses the conventions of the romance and the thriller, transforming and discarding them at will, to illuminate the mysterious connections between past and present and bring a pair of ardent and uncommonly appealing heroines to life.Pub Date: June 29, 2004
ISBN: 0-553-38281-0
Page Count: 432
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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