In Nordan's third collection (Welcome to the Arrow-Catcher Fair, 1983; The All-Girl Football Team, 1986)—interrelated stories about Sugar Mecklin's enchanted 11th year—spooky memento mori haunt the child's world of the town of Arrow Catcher on the Mississippi Delta. Sugar and a pal find a dead man's body in the surrounding swamp, where ``mice sing'' and a wading cow bellows in a tenor voice; then, with a folding shovel, Sugar unearths what seems to be a well-preserved female corpse in a glass coffin beneath his parents' house. He rides on a ``snail-slow freight train'' back and forth to Greenville, where the first electrocution in recent Mississippi history is scheduled to take place, and about which- -because a black man has been condemned to death—no one but Sugar seems to care. Later, Sugar's father, with the boy in tow, having dropped in at the local drugstore to pick up a hangover remedy, accidentally administers a fatal dose of morphine to his friend, the addicted druggist. Meanwhile, the same father, a sweet man who never seems able to say or do what he intends, drinks alcoholically every afternoon; and Sugar's mother, who loves both of them to distraction, sadly laments for the boy's father's drunkenness and ill luck. None of this black-humored drama is uncommon to southern fiction, but Nordan brings wit, warmth, elegance, grace, and an original, persuasive love of his hidebound, inarticulate characters to territory previously covered by Faulkner, O'Connor, and especially (A Member of the Wedding) McCullers. Not the first to get where it goes: but, even so, a wonderful and memorable collection.
Pub Date: Sept. 1, 1991
ISBN: 0-945575-76-9
Page Count: 210
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1991
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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