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WINTER PASTURE

ONE WOMAN'S JOURNEY WITH CHINA'S KAZAKH HERDERS

A rare look at a disappearing world.

A warm portrait of stark, strenuous lives in remote China.

From her home in northwestern China, essayist and nature writer Li joined a family of Kazakh herders—and their camels, sheep, cattle, and horses—to spend winter on immense pastureland where the population density was “one person per every square mile and a half.” Winner of the People’s Literature Award in China, this charming memoir, the author’s first to be translated in the U.S., captures the harsh reality and quiet pleasures of the herders’ nomadic way of life, migrations threatened by the consequences of overgrazing. Amid “towering waves of immaculate golden sand dunes,” where temperatures plummet to minus 31 degrees, the family constructs a burrow made with sheep manure, the “sole building material available in the desert,” incomparable because it “can magically, continuously radiate heat.” With wall hangings, rugs, a hearth, and a tablecloth for meals, the burrow becomes a home. Although the author wondered what contribution she could make, she took on a variety of necessary tasks: “I cleaned the cattle burrow and sheep pen every day, hauled snow”—critical for providing water—“made nan, embroidered,” and sometimes helped out with the exhausting job of herding. Li offers affectionate profiles of neighbors, visitors, and members of her host family: Cuma, the father, “intelligent and ambitious, capable and cocky,” and too often drunk; his reticent wife, whose “aloofness was enough to give you goose bumps. But when she did smile, she was radiant. Light beams shot out from between her brows as if she invented this ‘smiling’ business”; and their 19-year-old daughter, who had to leave school and dreams of becoming educated and independent in order to help her family. The arduous work caused Cuma and his wife to rely on daily doses of painkillers, but their mastery of their environment, and their contentment, earned the author’s admiration.

A rare look at a disappearing world.

Pub Date: Feb. 23, 2021

ISBN: 978-1-66260-033-3

Page Count: 320

Publisher: Astra House

Review Posted Online: Dec. 5, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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TRULY

AN INSPIRATIONAL JOURNEY THROUGH THE LIFE OF A MUSICAL LEGEND

There’s an abundance of love and gratitude in this wildly entertaining, utterly charming memoir.

A look at the life of one of pop music’s most enduring stars.

Pop star and American Idol judge Richie opens his memoir with an account of his 2015 appearance at the Glastonbury Festival in England, where more than 175,000 people gathered to watch him perform some of his many hit singles. The singer reacts with disbelief to the crowd’s enthusiasm: “Did I dream all of this up? If not, I mean—How in the world did this even happen?” His book, marked with wide-eyed disbelief about his own success, aims to answer that question. Richie movingly tells the story of his childhood in his “forever home” of Tuskegee, Alabama; he was a “painfully, awkwardly, horribly shy” boy who struggled with anxiety and undiagnosed ADHD. While a student at Tuskegee Institute, he joined the funk band the Commodores, who in short order became a sensation, playing residencies at Smalls Paradise in Harlem and opening for the Jackson 5 on tour. With no small amount of gentle self-deprecation, Richie writes about his hit singles with the band, including “Easy” and “Three Times a Lady.” He left the band in 1982 and embarked on his solo career, which saw him take the top of the charts with songs including “You Are,” “All Night Long,” and “Hello,” which cemented his status as a worldwide icon. Richie’s book is infused with gratitude; while the reader gets the sense that he is aware of his talent, there is nothing in the book that comes off as bragging, and he still seems star-struck when writing about celebrity friends such as Stevie Wonder and Gregory Peck. Richie is refreshingly open in the book, which functions as both a fun memoir and a love letter to music and his beloved Tuskegee.

There’s an abundance of love and gratitude in this wildly entertaining, utterly charming memoir.

Pub Date: Sept. 30, 2025

ISBN: 9780063253643

Page Count: 496

Publisher: HarperOne

Review Posted Online: Sept. 19, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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