by Lian Hearn ‧ RELEASE DATE: Sept. 27, 2016
Expect graphic violence, fairy-tale magic, flights of comedy, and operatic melodrama but also genuine intimacy and tragedy.
The four-book Tale of the Shikanoko series reaches its finale as destiny has its way, determining once and for all who will be emperor of Hearn’s fantasy feudal Japan.
The hidden emperor Yoshi was a small child back in Emperor of the Eight Isles (2016) when he was forced to flee for his life with the Autumn Princess and her stepsister Kai after his uncle Daigen was named emperor. Now grown, Yoshi does not want to acknowledge his royal lineage, preferring a quiet life as an acrobat. But Lord Aritomo of the Miboshi Clan, who has been the force behind Daigen all along, receives reports that Yoshi has been sighted for the first time in 12 years. Ailing yet desperate to outlive friends and foes, Aritomo hopes that by capturing and publicly executing Yoshi he can prove portents, including drought and famine, that Yoshi is the true emperor to be wrong. Aritomo no longer trusts his vassal Masachika, who resembles both Macbeth and Iago in ambition, duplicity, and love for his wife. But if Yoshi’s claim on the throne is a threat to Daigen’s rule, title character Shika’s legendary powers are far more worrisome to Aritomo and Masachika. Over the course of the series, Shika evolved from orphan to bandit to warrior to superpowered half-man/half-beast forced to wear a magically empowered deer mask. He has been living in the Darkwood for years by the time Hina, the central character of Lord of the Darkwood (2016), manages to find him. Her tears of love help Shika remove his deer mask, and she introduces him to his son, Take, born to the Autumn Princess before her death in Autumn Princess, Dragon Child (2016). But will Shika decide to quit his self-exile, and does he have enough martial and supernatural muscle to defeat Aritomo—or to convince Yoshi to take up the mantle and rule?
Expect graphic violence, fairy-tale magic, flights of comedy, and operatic melodrama but also genuine intimacy and tragedy.Pub Date: Sept. 27, 2016
ISBN: 978-0-374-53634-3
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 2, 2016
Kirkus Reviews Issue: July 15, 2016
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by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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by Robin Hobb ‧ RELEASE DATE: April 17, 1995
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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