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THE HUSBAND'S SECRET

Moriarty may be an edgier, more provocative and bolder successor to Maeve Binchy. There is real darkness here, but it is...

There are more than enough secrets to go around in the intertwining lives of three women connected to a Catholic elementary school in Sidney.

Australian Moriarty (The Hypnotist’s Love Story, 2012, etc.) experiments with the intersection of comedy and tragedy in her slyly ambitious consideration of secrecy, temptation, guilt and human beings’ general imperfection. Superorganized, always-on-the-go Cecilia is a devoted mother who constantly volunteers at her daughters’ school while running a thriving Tupperware business. Not quite as perkily perfect as she seems, 40-year-old Cecilia yearns for some drama in her life. Then, she finds a sealed envelope from her husband that is to be opened only in the event of his death. John-Paul is very much alive, but the temptation to read the contents is understandably strong. Once she does, she can’t erase the secrets revealed. Meanwhile, in Melbourne, 30-something Tess’ husband breaks the news that he’s fallen in love with Tess’ first cousin/best friend/business partner. Furious, Tess moves to her mother’s house in Sydney. Enrolling her 6-year-old son at St. Angela's, Tess runs into former lover Connor, and sparks re-ignite. Formerly an accountant, Connor is now the school’s hunky gym coach and is crushed on by students, teachers and parents like Cecilia. One holdout from the general adoration is widowed school secretary Rachel. Connor was the last person to see her 17-year-old daughter Janie before Janie was strangled in 1984. Still grief-stricken and haunted by a belief that she could have prevented Janie’s death if she hadn’t been seven minutes late to pick her up, Rachel is increasingly convinced Connor is the murderer. As the women confront the past and make hard decisions about their futures (the novel’s men are pale and passive), their fates collide in unexpected ways.

Moriarty may be an edgier, more provocative and bolder successor to Maeve Binchy. There is real darkness here, but it is offset by the author’s natural wit—she weaves in the Pandora myth and a history of the Berlin Wall—and irrepressible goodwill toward her characters.

Pub Date: July 30, 2013

ISBN: 978-0-399-15934-3

Page Count: 416

Publisher: Amy Einhorn/Putnam

Review Posted Online: April 9, 2013

Kirkus Reviews Issue: June 1, 2013

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A JOURNEY TO THE END OF THE MILLENNIUM

The fine Israeli writer Yehoshua (Open Heart, 1996, etc.) makes a lengthy journey into the year 999, the end of the first millennium. Indeed, it is the idea of a great journey that is the heart of the story here. Ben Attar, a Moroccan Jewish merchant has come a long distance to France to seek out his nephew and former partner Abulafia. Ben Attar, the nephew, and a third partner, the Muslim Abu Lutfi, had once done a lucrative business importing spices and treasures from the Atlas Mountains to eager buyers in medieval Europe. But now their partnership has been threatened by a complex series of events, with Abulafia married to a pious Jewish widow who objects vehemently to Ben Attar’s two wives. Accompanied by a Spanish rabbi, whose cleverness is belied by his seeming ineffectualness; the rabbi’s young son, Abu Lutfi; the two wives; a timorous black slave boy, and a crew of Arab sailors, the merchant has come to Europe to fight for his former partnership. The battle takes place in two makeshift courtrooms in the isolated Jewish communities of the French countryside, in scenes depicted with extraordinary vividness. Yehoshua tells this complex, densely layered story of love, sexuality, betrayal and “the twilight days, [when] faiths [are] sharpened in the join between one millennium and the next” in a richly allusive, languorous prose, full of lengthy, packed sentences, with clauses tumbling one after another. De Lange’s translation is sensitively nuanced and elegant, catching the strangely hypnotic rhythms of Yehoshua’s style. As the story draws toward its tragic conclusion—but not the one you might expect—the effect is moving, subtle, at once both cerebral and emotional. One of Yehoshua’s most fully realized works: a masterpiece.

Pub Date: Jan. 19, 1999

ISBN: 0-385-48882-3

Page Count: 352

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1998

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THE LOST WORLD

Back to a Jurassic Park sideshow for another immensely entertaining adventure, this fashioned from the loose ends of Crichton's 1990 bestseller. Six years after the lethal rampage that closed the primordial zoo offshore Costa Rica, there are reports of strange beasts in widely separated Central American venues. Intrigued by the rumors, Richard Levine, a brilliant but arrogant paleontologist, goes in search of what he hopes will prove a lost world. Aided by state-of- the-art equipment, Levine finds a likely Costa Rican outpostbut quickly comes to grief, having disregarded the warnings of mathematician Ian Malcolm (the sequel's only holdover character). Malcolm and engineer Doc Thorne organize a rescue mission whose ranks include mechanical whiz Eddie Carr and Sarah Harding, a biologist doing fieldwork with predatory mammals in East Africa. The party of four is unexpectedly augmented by two children, Kelly Curtis, a 13-year-old "brainer," and Arby Benton, a black computer genius, age 11. Once on the coastal island, the deliverance crew soon links up with an unchastened Levine and locates the hush-hush genetics lab complex used to stock the ill- fated Jurassic Park with triceratops, tyrannosaurs, velociraptors, etc. Meanwhile, a mad amoral scientist and his own group, in pursuit of extinct creatures for biotech experiments, have also landed on the mysterious island. As it turns out, the prehistoric fauna is hostile to outsiders, and so the good guys as well as their malefic counterparts spend considerable time running through the triple-canopy jungle in justifiable terror. The far-from-dumb brutes exact a gruesomely heavy toll before the infinitely resourceful white-hat interlopers make their final breakout. Pell-mell action and hairbreadth escapes, plus periodic commentary on the uses and abuses of science: the admirable Crichton keeps the pot boiling throughout.

Pub Date: Sept. 28, 1995

ISBN: 0-679-41946-2

Page Count: 480

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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