Full of the messy, moving, in-your-face inspiration and storytelling for which Yuknavitch is beloved.
A noted writer and teacher explores the uses of memoir to recast and heal the wounds of the past.
Yuknavitch, whose previous memoir The Chronology of Water (2011) has been both a viral sensation and a touchstone for students of the genre, returns to personal writing after several novels. “What if we could read our past, our memories, even our bodies, as if they too were books open to endless interpretation?” The point, she says, is to show readers, possibly aspiring writers themselves, how it is possible to “imagine a map” that loosens the grip of sorrow. Among the experiences she mines are her relationship with her second husband, Devin, who either fell or jumped from a construction crane in 2015; an abusive relationship with a poet boyfriend; her troubled connections with her parents; and the stillbirth of a baby girl. She mentions her son Miles, now a college graduate and an artist, in terms of her experience of an empty nest, but his story, she asserts, is not hers to tell. (Amusingly, she reports that at 15 he asked her if it were possible “to make important art if you came from a loving and stable homelife.”) She discusses the murders of her cousin Michelle and of a talented African American student she briefly worked with, saying she is “suspicious of conclusions” about violence against women but has “chosen to spend [her] life creating a literature of resistance.” While much of the material and the formal experiments she assays will be familiar to readers of the first memoir, the connection between the titles of the two supports the idea that this is a re-examination of old stories. The last chapter, “Solaces,” contains advice and instructions to the reader, words of inspiration of the sort she offers her students in workshops. “Your failures and fears are portals, step through.”
Full of the messy, moving, in-your-face inspiration and storytelling for which Yuknavitch is beloved.Pub Date: Feb. 4, 2025
ISBN: 9780593713051
Page Count: 208
Publisher: Riverhead
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A sweet final word from an actor who leaves a legacy of compassion and kindness.
The late actor offers a gentle guide for living with more purpose, love, and joy.
Mixing poetry, prescriptive challenges, and elements of memoir, Heche (1969-2022) delivers a narrative that is more encouraging workbook than life story. The author wants to share what she has discovered over the course of a life filled with abuse, advocacy, and uncanny turning points. Her greatest discovery? Love. “Open yourself up to love and transform kindness from a feeling you extend to those around you to actions that you perform for them,” she writes. “Only by caring can we open ourselves up to the universe, and only by opening up to the universe can we fully experience all the wonders that it holds, the greatest of which is love.” Throughout the occasionally overwrought text, Heche is heavy on the concept of care. She wants us to experience joy as she does, and she provides a road map for how to get there. Instead of slinking away from Hollywood and the ridicule that she endured there, Heche found the good and hung on, with Alec Baldwin and Harrison Ford starring as particularly shining knights in her story. Some readers may dismiss this material as vapid Hollywood stuff, but Heche’s perspective is an empathetic blend of Buddhism (minimize suffering), dialectical behavioral therapy (tolerating distress), Christianity (do unto others), and pre-Socratic philosophy (sufficient reason). “You’re not out to change the whole world, but to increase the levels of love and kindness in the world, drop by drop,” she writes. “Over time, these actions wear away the coldness, hate, and indifference around us as surely as water slowly wearing away stone.” Readers grieving her loss will take solace knowing that she lived her love-filled life on her own terms. Heche’s business and podcast partner, Heather Duffy, writes the epilogue, closing the book on a life well lived.
A sweet final word from an actor who leaves a legacy of compassion and kindness.Pub Date: Jan. 24, 2023
ISBN: 9781627783316
Page Count: 176
Publisher: Viva Editions
Review Posted Online: Feb. 6, 2023
Kirkus Reviews Issue: March 1, 2023
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