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SHORT WAR

A slow burn that absolutely ignites as the author deftly interweaves history, politics, and family.

Two generations of Jewish Americans find themselves—and discover secrets—among friends and lovers in Latin America.

In the months leading up to the 1973 Chilean coup and the death of democratically elected Marxist president Salvador Allende, teenage American expat Gabriel Lazris meets Caro Ravest at a house party and falls for her immediately. It’s an unlikely match. Jewish and an avowed Communist, Gabriel attempts to woo Caro, a Chilean national and observant Catholic. A summer of socialist farming and fun in the haystacks yields a pregnancy that manages to surprise the protagonists. Fast forward to 2015 and a generation later: Gabriel and Caro’s daughter, Nina, who was brought up in the U.S., is working on a Ph.D. in communications when she arrives in Buenos Aires to do research for her dissertation. That’s where she discovers Guerra Eterna, a mythic underground work of nonfiction that complicates the Lazris family’s understanding of themselves and their history. While Meyer’s plot unfolds slowly, it’s stacked with factual history. Characters casually name-drop major players like Allende, but small details make the difference—Meyer includes minutiae as specific as the murder of Dan Mitrione, an American cop who taught Uruguayan police torture techniques. The novel’s compelling fidelity to history and its resonance with (un)certain current events in the U.S. (an increasingly popular school bully is a racist, xenophobic Holocaust denier—sound familiar?) absolves the intentionally awkward teen sex scenes (“The fabric—should he remove it?”) and occasionally shoehorned political dialectics.

A slow burn that absolutely ignites as the author deftly interweaves history, politics, and family.

Pub Date: April 2, 2024

ISBN: 9781646053155

Page Count: 270

Publisher: A Strange Object

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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