Schmaltz Romano.
More corny Italian fare from Prior pursues the mystifying disappearance of a Roman embalmer’s husband.
Prior (Nectar, 2002, etc.) heaps together a jumble of prosaic details and characters, then prays for a novel here. There are six pages of mostly irrelevant, melodious names in the “cast.” Young Freda Lippi, née Castro, a Roman embalmer, returns home one Saturday afternoon (laden with plucked chicken, pancetta, broad beans, etc.) to find that her ventriloquist husband of three years, Alberto, has been seized and their flat ransacked. Freda never liked Alberto, whom she met on a cruise won as a prize through Mortician’s Monthly magazine, but she married him because of her mother’s prophetic dying words: “I see a ventriloquist. . . .” Actually, Freda is more aggrieved at the disappearance of her parrot Pierino. In a long flashback, she recounts the last day of her mother’s life, in 1965, when Freda was 16, and they all took off for a ride to the beach in Uncle Birillo’s new Oldsmobile Cutlass: glamorous Mamma, a famous singer; Freda’s imperious older sister, Fiamma, who was driving; and Freda. A terrible accident left Mamma embedded in a palm tree, dead; Fiamma went on to become a successful midlevel civil servant of predatory repute, and young Freda apprenticed herself to the embalmer who reconfigured her mother’s ravaged face. Back in the present, Freda flirts with the attractive detective on the case of her disappeared Alberto, who performed on Saturdays at the Berenice cabaret club, where Freda gets a brief job as a hat girl. But there’s only a halfhearted attempt to find out what happened to Alberto; in fact, the mystery is never satisfactorily solved. Prior is clearly more interested in the quirky gags of her loopy Italians—dating, cooking, collecting Mamma’s stolen teeth and so forth. Is this adorable—or inane?
Schmaltz Romano.Pub Date: July 1, 2005
ISBN: 0-06-077257-3
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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