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AND STILL THE BIRD SINGS

A MEMOIR OF FINDING LIGHT AFTER LOSS

An engaging, provocative remembrance with an enticing, otherworldly core.

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A memoir about one woman’s tragic loss of her son and her mystical journey to spiritual peace.

In 2012, less than two months after his 15th birthday, Brendan Broder accepted a dangerous “choking challenge” he found online that went terribly wrong, leading to his accidental death by his own hand. He was the firstborn of the author’s three children, and his death was a devastating blow. The day after the tragic event, as the family sat around the dining room table grieving, they found a small sparrow in the house. Broder’s husband, Michael, retrieved the bird and released it. Looking down at his empty cupped hands in wonder, he declared, “It’s Brendan.” The disbelieving author remained silent, but it was the first step in the couple’s quest to find a mystical connection with their beloved son. Eventually, the author asserts, they were able to contact him through a medium. Broder expertly alternates between the past and present as she brings readers through the first year after the loss of her son. Decisions, events, and encounters trigger memories that fill in the author’s backstory. For instance, she recounts how music has always played a critical role in her life and how, at the time of the tragedy, she was a passionately involved piano teacher. Part of the magic of her memoir comes from descriptions of her physical relationship with music, as in a passage set during the early days of her grieving, playing just the piano’s seven D’s, which she used to teach Brendan how to play: “I swayed a bit, moving toward the sound, like a magnet pulling me in. The notes layered on top of each other. They moved around me until I was wrapped in sound and story.” Throughout, her musical sense of tempo, cadence, and drama is reflected in her meticulous, well-paced prose. Overall, she’s a compelling storyteller who makes her emotionally charged, unconventional, and progressively spiritual tale accessible even to those without mystical inclinations.

An engaging, provocative remembrance with an enticing, otherworldly core.

Pub Date: Nov. 8, 2022

ISBN: 978-1-64742-265-3

Page Count: 256

Publisher: She Writes Press

Review Posted Online: June 10, 2022

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  • New York Times Bestseller

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

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An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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