An accessible look at grief, spirituality, and growth.
Ask anyone in Roosevelt Cove, New York: Daisy Rubens and Ruby Affini come as a pair.
Daisy—Jewish, curly-haired, and freckled—approaches the world with caution and an analytical mind. Meanwhile Ruby—Catholic, with olive-toned skin and straight, dark hair—sees magic everywhere and isn’t afraid of anything. When Ruby dies in an accident the summer before sixth grade, Daisy finds herself bereft of wonder. With the patience and compassion of her loving parents, her whimsical Aunt Toby, and some unfamiliar faces at school and synagogue, she slowly discovers new joy in life. Each character is richly imagined, their idiosyncrasies pondered and celebrated as Daisy parses her way through a world of connections without her best friend by her side. The novel finds its title in the Jewish idea of tikkun olam, and Daisy’s journey is one of repairing herself. Depictions of Jewish life and belief—in all its contemporary formulations—ring true, but where the novel really shines is through its use of sensory and emotional details. With incredible specificity and heart, Epstein carries Daisy through her grief, demystifying the experience of tragedy for her middle-grade audience. The book reads like a field guide for surviving the unimaginable: the prose simple but clearsighted, the plot an unassuming canvas against which characters and emotions bloom.
An accessible look at grief, spirituality, and growth. (Fiction. 8-12)Pub Date: July 5, 2022
ISBN: 978-1-5344-9855-6
Page Count: 352
Publisher: Aladdin
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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