Fans of romance and ghost stories will find the respective genre elements diluted.
Set in 1959 Virginia and blending romance with psychological horror, the sequel to Griffin’s Stonebridge (2023) continues the storyline of Rynna Wyatt, haunted by the ghost of her dead husband.
With her abusive husband dead—after a tragic accident—Rynna and her unborn baby are finally free of Stonebridge Manor, a sprawling, spooky property that’s been in her family for generations and is the site of her husband’s death. With the help of her dead husband’s cousin (and love interest) Ted Demeray—confined to a wheelchair from debilitating arthritis—the two marry less than a month after her husband’s death and set up house in a neighborhood close to the university where Ted teaches geology. While still under a cloud of suspicion that the two were somehow complicit in her husband’s demise, Rynna and Ted begin a new life together. But when her baby is born, the duo find they can’t break free from the past so easily. The ghost of Rynna’s dead husband begins to beset the house with “minor annoyances”—flickering lights, sounds in the night, slamming doors, etc. As Rynna’s sanity begins to unravel, Ted attempts to help her. Together, they try to find a way to somehow communicate with, and remove, their ghostly visitor. The elegant Georgian manor makes an intriguing setting with its dark Gothic atmosphere, which blends decadence and decay: “Stonebridge was beginning to resemble the proverbial sinking ship.” Readers looking for a compelling work of supernatural fiction, however, will be disappointed by the subtleness of the paranormal subject matter. Most of the scary moments take place in Rynna’s dreams, which makes for a detached and decidedly low-intensity experience. The two main characters also come across as needy, dysfunctional, and emotionally unstable, constantly doubting the validity of their relationship.
Fans of romance and ghost stories will find the respective genre elements diluted.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Dec. 27, 2023
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Even when King is not at his best, he’s still good.
Two killers are on the loose. Can they be stopped?
In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.
Even when King is not at his best, he’s still good.Pub Date: May 27, 2025
ISBN: 9781668089330
Page Count: 448
Publisher: Scribner
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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