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THE DREAMER

THE BLACK STONE CYCLE BOOK ONE

Indelible characters fuel this deliberately paced but wholly engaging SF story.

A teen and a band of unlikely allies find adventure in outer space in Cleary’s YA novel, the first in a series.

Ash Bennett’s mid-24th-century life is “nomadic,” with her parents often between jobs. Landing on the Martian moon Phobos for supplies changes everything: Someone kills her parents and takes their bodies away, and Ash, to get answers, reluctantly teams up with an 18-year-old stranger, Edan. He’s been helping twins Isaac and Izzy, who are looking for their own missing parents. The twins are rare “pathers”; Isaac is an empath, while Izzy is telekinetic. They’re like the Mind Squad Agents who helped fight off alien species during a war that saved humanity but not the Earth. MSAs may be the ones abducting pathers, while Edan likely has a bounty on him courtesy of the criminal parents he’s been evading. In any case, he and the twins must leave Phobos; Ash, with piloting skills and her family’s spaceship, makes an ideal new friend. Meanwhile, Ash, who’s been having intense dreams of a blue-skinned figure, discovers that she has newfound abilities not unlike a pather’s. The first installment of Cleary’s series is jam-packed with impressive worldbuilding—characters visit or hail from various moons in the solar system, and three distinct nonhuman races (all tied to the war) make appearances. The characters have complicated relationships and backstories; the teens and parents have secrets among them, and Ash and Edan’s mutual attraction comes with all sorts of obstacles (“I’d rather be alone,” Ash claims). The teens are capable and work together to great effect, especially when danger is involved. But despite the superbly developed cast, this interstellar narrative barely unfolds. Ash and the others dig up copious mysteries (like one concerning an enigmatic “chosen one”), but most are left unresolved; even Isaac’s gift for reading minds usually leads only to more questions. Answers surely await the intrepid teens (and readers) in the sequels.

Indelible characters fuel this deliberately paced but wholly engaging SF story.

Pub Date: Jan. 7, 2026

ISBN: 9798317820916

Page Count: 328

Publisher: BookBaby

Review Posted Online: Feb. 18, 2026

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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