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SEESAW GIRL

In 17th-century Korea, the life of a noblewoman is extremely circumscribed: she leaves the inner court of her family home only to marry, or to attend a funeral. Jade, 12, is deeply attached to her older cousin Willow, and keenly feels the loss when Willow is married. She pesters her older brother Tiger Heart, however, to tell her tales of the market, the king’s court, and the strange prisoners with red and gold hair; she longs to see the mountains she can barely glimpse above the family compound wall. The seesaw of the title, a Korean game, forms the climax of this quiet book and the key to Jade’s seeing beyond her tightly enclosed world. The writing gracefully describes the extended structure of the family, the differences in how boys and girls of noble birth were educated, and the elaborate wedding ceremony. Park’s afterword tells of a Dutch ship that ran aground in Korea near the time of the story, and what happened to the prisoners Jade’s father defended. The evocative descriptions and Jade’s intensity in creating new ways to learn will capture and hold readers. (b&w illustrations, bibliography) (Fiction. 8-12)

Pub Date: Aug. 23, 1999

ISBN: 0-395-91514-7

Page Count: 90

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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THE BABE AND I

Adler (also with Widener, Lou Gehrig, 1997, etc.) sets his fictional story during the week of July 14, 1932, in the Bronx, when the news items that figure in this tale happened. A boy gets a dime for his birthday, instead of the bicycle he longs for, because it is the Great Depression, and everyone who lives in his neighborhood is poor. While helping his friend Jacob sell newspapers, he discovers that his own father, who leaves the house with a briefcase each day, is selling apples on Webster Avenue along with the other unemployed folk. Jacob takes the narrator to Yankee Stadium with the papers, and people don’t want to hear about the Coney Island fire or the boy who stole so he could get something to eat in jail. They want to hear about Babe Ruth and his 25th homer. As days pass, the narrator keeps selling papers, until the astonishing day when Ruth himself buys a paper from the boy with a five-dollar bill and tells him to keep the change. The acrylic paintings bask in the glow of a storied time, where even row houses and the elevated train have a warm, solid presence. The stadium and Webster Avenue are monuments of memory rather than reality in a style that echoes Thomas Hart Benton’s strong color and exaggerated figures. (Picture book. 5-9)

Pub Date: April 1, 1999

ISBN: 0-15-201378-4

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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THE LION AND THE UNICORN

From Hughes (Enchantment in the Garden, 1997, etc.), a WWII story with big ambitions—many of them realized’set out in the pages of an unusually long picture book. Lenny Levi lives in London with his mother during the Blitz, cherishing the letters from his father at the front, and the medal of the lion and the unicorn his father gave him. When Lenny is evacuated to the country, he finds himself at a huge old manor with three little girls, the lady of the house, and a few servants. He is lonely, teased at school and at home for not eating bacon and for bedwetting, but makes a friend of the young man with one leg he meets in the secret garden on the estate. The garden, thick with roses, also holds a beautiful statue of a unicorn like the one on his medal. As Lenny’s loneliness and fear spiral out of control, a night vision of the unicorn brings him back; his mother comes to take them both to his aunt in Wales, where his father will join them. The storyline, while straightforward, hints at difficult subjects—religious differences, amputees, separation, family disruptions, the terror of bombing, and more—which are then given only cursory treatment. The pictures are splendid: luminous, full-bodied watercolors that capture the horror of London burning, the glory of the countryside, and mists of dreams. It may be difficult for this to find its audience, but children too young for Michelle Magorian’s Good Night, Mr. Tom (1986) might be captured. (Picture book. 8-10)

Pub Date: April 1, 1999

ISBN: 0-7894-2555-6

Page Count: 60

Publisher: DK Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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