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SEESAW GIRL

In 17th-century Korea, the life of a noblewoman is extremely circumscribed: she leaves the inner court of her family home only to marry, or to attend a funeral. Jade, 12, is deeply attached to her older cousin Willow, and keenly feels the loss when Willow is married. She pesters her older brother Tiger Heart, however, to tell her tales of the market, the king’s court, and the strange prisoners with red and gold hair; she longs to see the mountains she can barely glimpse above the family compound wall. The seesaw of the title, a Korean game, forms the climax of this quiet book and the key to Jade’s seeing beyond her tightly enclosed world. The writing gracefully describes the extended structure of the family, the differences in how boys and girls of noble birth were educated, and the elaborate wedding ceremony. Park’s afterword tells of a Dutch ship that ran aground in Korea near the time of the story, and what happened to the prisoners Jade’s father defended. The evocative descriptions and Jade’s intensity in creating new ways to learn will capture and hold readers. (b&w illustrations, bibliography) (Fiction. 8-12)

Pub Date: Aug. 23, 1999

ISBN: 0-395-91514-7

Page Count: 90

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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I WAS ONCE A MONKEY

STORIES BUDDHA TOLD

A book of the basic teachings of Buddha, presented through a collection of six classic, simple tales. When a monkey takes refuge from a monsoon in a cave, he happens upon a group of bickering animals—a monkey, lion, turtle, jackal, and dove. Before the fighting becomes too fierce, a small statue of Buddha begins to glow in the darkest corner. To pass the time—and to stop the fighting—wise Buddha spins enlightening stories of tolerance, endurance, sagacity, truthfulness, kindness, and clarity. Buddha recounts his past lives in many forms—from monkey to pigeon to willow tree—to his captive listeners. Such straightforward yet profound tales combine with the art and design for an example of bookmaking that is aesthetically pleasing in every way. Color-washed linoprints cleverly distinguish the stories from the black-and-white narrative frame, while an informative afterword offers brief background detail about Buddha and these six “birth stories” known as Jatakas. (Picture book/folklore. 4-7)

Pub Date: April 8, 1999

ISBN: 0-374-33548-6

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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HANNAH OF FAIRFIELD

By 1776 the British army had taken control of two key areas, New York City and Long Island Sound. For Hannah, nine, and her family, the troops are a real threat to their community, just across the sound in Fairfield, Connecticut. Hannah’s older brother Ben wants to go join the forces under General Washington, but his father will have none of it at first; when British warships are sighted he reluctantly gives the boy his blessing. For two days the female members of the household spin, weave, and sew suitable clothing; Hannah, who has never been good at domestic duties, is afraid she won’t be able to do her part, but masters her chores. Van Leeuwen makes this story—the first in the Pioneer Daughters trilogy—compelling through the picture of daily life during the era: Everyone does everything that needed to be done, whether they wanted to or not. It’s clear that Hannah has plans beyond the household; her saving of a baby lamb, and the influence of her Granny Hannah, who was a midwife and nurse, indicate that someday she will move on, but meanwhile, there is work to be done for the family’s survival. Her story—especially the details that are usually relegated to sidebars and laundry lists in history books—will entertain and inspire anyone who is interested in the past. (b&w illustrations, not seen, map) (Fiction. 7-10)

Pub Date: April 1, 1999

ISBN: 0-8037-2335-0

Page Count: 87

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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