A tale with deft plot turns, a relatable young protagonist, and well-drawn secondary fantasy characters.
In Flanagan’s YA series starter, a young teen enters a fantastical realm and discovers the mystery behind her own existence.
All 14-year-old AnnaGrey England wants is to get through a school day without being bullied for being different. It isn’t because of her red hair and “pale-as-dawn” skin—it’s her glow-in-the-dark green eyes with black pupils shaped like half-moons. Her mother’s explanation that it’s a genetic condition rings false, and her father, who lives elsewhere, tells AnnaGrey what seem like fairy tales. (At least her parents’ unusually long canine teeth skipped a generation, she thinks.) In this thoroughly enjoyable, well-crafted, first-person fantasy, AnnaGrey’s journey toward self-discovery and self-acceptance begins after her nemesis, a boy named Cross Silverstone, dubs her “Freakenstein.” After she retreats into the forbidden Wildwood, she discovers Iris—a gentle, horselike creature with a rainbow mane, golden hooves, impressive antlers, and eyes like stars—and a secret gate to a realm of beings called aeobanachs who can shift between human and animal form. AnnaGrey soon finds herself in the company of a furred, feathered, and antlered rebel faction seeking to unseat the usurper on the realm’s Constellation throne. Can this have anything to do with her own strange eyes, her secretive parents, and the “constellation” of freckles on her arms? Just when it seems obvious where the narrative is going, the author defies expectations by taking readers in a different direction. Flanagan enriches the mix with additional colorful characters and a plot that explains the significance of antlers, feathers, and fairy tales and features betrayals, lost loves, and noble sacrifices. (The selfless actions of two characters are genuinely moving, as is a surprising act of faith taken by AnnaGrey’s only school friend.) AnnaGrey’s internal struggle with new truths feels authentic, as does her difficulty in finding confidence when “I can’t even stand up to my own parents or the mean boy at school.” The welcome open ending sends a clear signal that AnnaGrey’s saga will continue.
A tale with deft plot turns, a relatable young protagonist, and well-drawn secondary fantasy characters.Pub Date: Aug. 29, 2023
ISBN: 9781633738492
Page Count: 304
Publisher: Young Dragons
Review Posted Online: Oct. 27, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Review Program: Kirkus Indie
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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