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IN EXTREMIS

THE LIFE AND DEATH OF THE WAR CORRESPONDENT MARIE COLVIN

A rip-roaring life rendered extremely well.

British journalist Hilsum (Sandstorm: Libya in the Time of Revolution, 2012) builds on her personal experiences with reporting from war zones to relate the death-defying professional wanderings of Marie Colvin (1956-2012).

Colvin lost an eye while reporting the war in Sri Lanka, and she wore a patch for her remaining years. In 2012, while working in a deadly area of Syria, she was killed by an explosion. Thanks to journals, appointment diaries, and unpublished reporting notes that she took starting at age 13, Hilsum is able to portray Colvin in remarkable fullness. “She was the most admired war correspondent of our generation,” writes the author, “one whose personal life was scarred by conflict, too, and although I counted her as a friend, I understood so little about her.” By many indications, Colvin’s childhood on Long Island, her adolescence, and her early work life didn’t point to decades of dangerous work as a war correspondent. But from an early age, she also demonstrated an attraction to danger and hard living, including substance abuse and relationships with unstable men. Though some readers may pity Colvin for the life she chose, which included a periodic desire for motherhood that she never attained, most will view her life with great admiration. She was extremely loyal to friends and lovers, showed empathy for the dispossessed in war-torn, genocidal nations, and participated in unmatched global adventures. Hilsum skillfully explains the politics, economics, ethnic hatreds, and additional context of the nations where Colvin reported, with emphases on Libya, Chechnya, Zimbabwe, Kosovo, East Timor, Sierra Leone, Sri Lanka, and Syria. Mixed in with the globe-trotting, Colvin lived a complicated day-to-day life in both England and the United States, intervals explained with admirable detail and subtlety by the author, who draws on face-to-face interviews as well as the papers left behind by Colvin.

A rip-roaring life rendered extremely well.

Pub Date: Nov. 6, 2018

ISBN: 978-0-374-17559-7

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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