by Lionel Tiger ‧ RELEASE DATE: April 1, 1999
The mad social scientist of biological reductionism is up to his old tricks again. Tiger, the anthropologist who 30 years ago brought us the notion of “male bonding” (in Men in Groups, 1969) returns once again to a biological argument to explain the “declining” influence of men in modern society. Tiger’s theoretical premise is egregiously essentialist to those with a background in cultural theory (he likens these social scientists to Christian Scientists in relation to medicine)—we must “understand basic human nature” before we can talk about economic, political, psychiatric, or feminist theories. In this particular instance, he wishes to relate the declining role of men in society to the advent of birth control, which puts reproductive power in the hands of women. His argument is stringently antifeminist—he calls feminism “female-ism” and implies that we are caught up in the midst of a shift from male production to female reproduction. The basic implication is that if women stayed home and had babies, they would maintain the support and comfort of their husbands, they would continue to vote in the same manner as their husbands, and men and women would be less at polar extremes in the productive marketplace. Men are seen as cut out of the reproductive agreement due to the rise of hidden contraception, and thus they are rendered redundant and out of control. Tiger actually praises “welfare queens,” whom he sees as rising up and revolting by staying home and out of the economy—to raise their children (conveniently ignoring the messy social, historical, and economic ramifications involved). One of the more annoying aspects of Tiger’s style is that he constantly employs cultural examples in an attempt to support his biological arguments—he goes as far as employing the religious story of Jesus” birth to explain the biological “foundations of human emotionality.” If you didn’t buy the notion that male patterns of behavior are imprinted on a genetic level, then you probably won’t buy this one either.
Pub Date: April 1, 1999
ISBN: 1-58238-014-7
Page Count: 256
Publisher: Golden Books/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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by Lionel Tiger
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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