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COCKTAIL

Refreshingly tart reflections on family fragmentation and its aftershocks.

A finely detailed debut collection of stories set in Canada from the 1960s to the present.

Alward often begins in a sharply evoked past time and then swoops forward into the present to record the impact of a past experience on her characters. In the brief and evocative title story, she opens in the seemingly familiar territory of a party in the 1970s that is being observed by children exiled upstairs while “the grownups put on their party clothes and seemed to forget us.” In her bedroom, the narrator, 10 or 11 at the time, is visited by one of her parents’ friends, and what might have gone horribly wrong doesn’t only because her brother appears at the door. Decades later, her parents divorced, the narrator finds herself inexplicably seeking this man “in beer cellars and dance halls and country-and-western bars.” Two of the stories view a similarly splintered nuclear family from radically different angles. In “Old Growth,” Gwyneth takes a road trip with her ex-husband, Ray, to check out some land he intends to buy, while in “Bear Country,” set a few years earlier but appearing later in the collection, Ray, in the family cabin soon to be sold, spends the summer with his troubled teenage son while a bear lurks nearby. Alward is a master of near disasters: “Bundle of Joy” starts out as a satire about a critical mother going for a visit to meet her infant grandson and complaining about the infant’s short legs and her son-in-law’s beard, which reminds her of “a neglected box hedge.” As grandma Ruth consumes ever more alcohol, the story veers into an account of an accident involving the child and then takes an unexpected turn into sympathy for Ruth. With a coolly dispassionate voice, Alward views the small horrors of domesticity, “the ungodly screech of the Fisher-Price phone as its bulbous eyes rolled back” or the creaking strain on a marriage inflicted by the necessity of removing six layers of wallpaper, and turns them into stories whose implications reverberate far beyond the walls of any home.

Refreshingly tart reflections on family fragmentation and its aftershocks.

Pub Date: Sept. 12, 2023

ISBN: 9781771965620

Page Count: 224

Publisher: Biblioasis

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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