This first in a new series for preteens and young teens who value friendship and doing the right thing is pretty endearing.
In a story told entirely through text messages, emails, homework assignments, handwritten notes, and diary entries, three longtime besties discover it’s OK to welcome new friends into your life without leaving the old ones behind.
Cecily, Gabrielle, and Prianka have started the second half of their sixth-grade year, and some changes are afoot: Gabby might have to move, there’s a Valentine’s Day dance on the horizon (and dates with boys!), and there’s a new girl at school, Victoria. When Gabby is paired with lonely Victoria for an assignment, Pri and Cecily go on high alert because Victoria seems so desperate to fit in. What if she steals Gabby from them? When someone starts sending Victoria mean texts, the principal intervenes, asking kids and parents to help “eradicate” the sixth-grade “social cruelty” or the Valentine’s dance will be canceled—but the girls’ attempts to include Victoria in their group texts backfire when Pri accidentally sends a rude comment about her to the entire group. Greenwald (Kale, My Ex, and Other Things to Toss in a Blender, 2017) successfully blends emojis and text to bring the high drama and emotional changes of middle school to life. Everyone appears to be white, except Prianka and the boy she likes, who are both Indian and attend Bal Vihar classes (for Hindu language and culture). A glossary of textspeak is provided.
This first in a new series for preteens and young teens who value friendship and doing the right thing is pretty endearing. (Fiction. 8-13)Pub Date: Jan. 2, 2018
ISBN: 978-0-06-268990-0
Page Count: 224
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
Reflective children will revel in this thought-provoking world.
The journey to find a child becomes an existential quest for an abandoned teddy bear.
Buddy is not just any stuffed bear, but a blue Furrington Teddy with a Real Silk Heart. So why did he wake up in a landfill with other Furringtons of varying hues? A more pressing matter, however, is escaping Trashland and its murderous gulls and bulldozers. Yearning to connect with a child and achieve a state of peaceful Forever Sleep, Buddy and his new friends of differing temperaments and gifts set out on a harrowing journey through the city to find children who will want them. As they encounter other Furringtons in disarray, this opener in The Teddies Saga series becomes a mystery about why these teddies are being harmed in the first place. While the visceral narrative follows the teddy troupe’s adventurous challenges and survival, its focus is on Buddy’s inner struggles as he ponders identity, leadership, and other existential dilemmas. Kraus doesn’t shy away from anger, fear, death, and other dark subjects; instead they become opportunities for growth in difficult environments. Cai’s intense, slightly nightmarish grayscale illustrations add immeasurably to the text. Reminiscent of Watership Down in theme and structure, the novel’s intermittent teddy creation stories also become parables of a moral code and extend the epic story arc. A cliffhanger ending sets the scene for the next installment.
Reflective children will revel in this thought-provoking world. (Fantasy. 9-12)Pub Date: Sept. 15, 2020
ISBN: 978-1-250-22440-8
Page Count: 256
Publisher: Henry Holt
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
Once readers get past the drama, they’ll cheer for Stef Soto, her family, and Tía Perla
Debut novelist Torres delivers a light, touching novel about a seventh-grader, her first-generation family’s food truck, and her tribulations at school.
Estefania “Stef” Soto is the daughter of hardworking, rule-abiding Mexican-American parents; she is a skilled artist, but at school she’s best-known for Tía Perla, their family food truck. When not stationed at parks or convenience stores, Papi can be found driving it to and from school to chauffeur Stef, which humiliates her. Present-tense narrator Stef is an only child who speaks Spanish at home and finds herself translating for her dad from time to time; Mami works evenings as a cashier at the open-all-night grocery store. Just when the story starts to feel like a standard-issue preteen drama rife with petty rivalries, a substantial, meaningful, two-pronged plot develops: the depletion of art-class supplies leads to a student-led fundraiser, and new city-government rules threaten the family’s food-truck business. Woven through the story are both typical Spanish words (“órale,” “ándale,” “vámonos”) and more elaborate phrases, such as “Aprendiste algo?” and “Es una cantante.” (The Spanish is unitalicized and effortlessly explicated in context.) Torres is mindful of the casting, which includes Latino teachers, parents, and students (and a Latina pop star) and a Korean student (Arthur Choi, Stef’s close friend). Short chapters give readers an engaging glimpse of food-truck culture through the Soto family’s sacrifices, values, and hardships.
Once readers get past the drama, they’ll cheer for Stef Soto, her family, and Tía Perla . (Fiction. 8-12)Pub Date: Jan. 17, 2017
ISBN: 978-0-316-30686-7
Page Count: 176
Publisher: Little, Brown
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
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