Melodramatic and filled with a lot of pointless meanderings, but Jackson’s many fans will still enjoy it.
New York Times’ bestselling author Jackson puts her touch on this dark thriller and tale of forbidden romance.
Ava Church Garrison has it all. She’s beautiful, a near-genius and wealthy. Married to a handsome attorney and living in her family’s ancestral home on a small island off the coast of Washington, her future couldn’t be brighter, except for one small problem. It appears to everyone, including Ava, that she’s lost her mind. It all started when she lost her child. Two-year-old Noah wandered out of the house, and authorities believe he fell into the icy water and drowned. But Ava won’t accept this. She keeps searching for Noah, her searches prompted by sounds and visions she can’t control. No matter what she does, Ava keeps hearing Noah call for help and sees him toddling off toward the dock. To add to Ava’s issues, she has her loony-bin-worthy family living with her. Her cousin, Jewel-Anne, wheelchair-bound following an accident that killed Ava’s only brother, and the rest of her family treat her like she’s a basket case. Even her best friend (who's Jewel-Anne’s nurse) and the household help are creepy. In fact, everyone in the book qualifies as a character out of an Alfred Hitchcock movie. Plus, there’s also the little problem of the escaped madman, who may or may not still be hiding on the island, and Ava’s therapist, a woman she fears has grown too close to Ava’s husband, Wyatt. Soon, the landscape is littered with bodies, and Ava is rapidly finding herself the target of a police investigation. With only the help of a newly hired hand on the estate, she tries to prove she’s not crazy and find her son in the bargain. Jackson’s book is crammed with suspects and a palpable air of creepiness, but readers will spot a number of inconsistencies in the story and ultimately grow weary of the way she draws out the action with unnecessary dialogue and details.
Melodramatic and filled with a lot of pointless meanderings, but Jackson’s many fans will still enjoy it.Pub Date: Aug. 1, 2012
ISBN: 978-0-7582-5857-1
Page Count: 416
Publisher: Kensington
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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